Crime and punishment Part VI

Part VI: Chapter I

A strange period began for Raskolnikov: it was as though a fog had fallen upon him and wrapped him in a dreary solitude from which there was no escape. Recalling that period long after, he believed that his mind had been clouded at times, and that it had continued so, with intervals, till the final catastrophe. He was convinced that he had been mistaken about many things at that time, for instance as to the date of certain events. Anyway, when he tried later on to piece his recollections together, he learnt a great deal about himself from what other people told him. He had mixed up incidents and had explained events as due to circumstances which existed only in his imagination. At times he was a prey to agonies of morbid uneasiness, amounting sometimes to panic. But he remembered, too, moments, hours, perhaps whole days, of complete apathy, which came upon him as a reaction from his previous terror and might be compared with the abnormal insensibility, sometimes seen in the dying. He seemed to be trying in that latter stage to escape from a full and clear understanding of his position. Certain essential facts which required immediate consideration were particularly irksome to him. How glad he would have been to be free from some cares, the neglect of which would have threatened him with complete, inevitable ruin.

He was particularly worried about Svidrigailov, he might be said to be permanently thinking of Svidrigailov. From the time of Svidrigailov's too menacing and unmistakable words in Sonia's room at the moment of Katerina Ivanovna's death, the normal working of his mind seemed to break down. But although this new fact caused him extreme uneasiness, Raskolnikov was in no hurry for an explanation of it. At times, finding himself in a solitary and remote part of the town, in some wretched eating-house, sitting alone lost in thought, hardly knowing how he had come there, he suddenly thought of Svidrigailov. He recognised suddenly, clearly, and with dismay that he ought at once to come to an understanding with that man and to make what terms he could. Walking outside the city gates one day, he positively fancied that they had fixed a meeting there, that he was waiting for Svidrigailov. Another time he woke up before daybreak lying on the ground under some bushes and could not at first understand how he had come there.

But during the two or three days after Katerina Ivanovna's death, he had two or three times met Svidrigailov at Sonia's lodging, where he had gone aimlessly for a moment. They exchanged a few words and made no reference to the vital subject, as though they were tacitly agreed not to speak of it for a time.

Katerina Ivanovna's body was still lying in the coffin, Svidrigailov was busy making arrangements for the funeral. Sonia too was very busy. At their last meeting Svidrigailov informed Raskolnikov that he had made an arrangement, and a very satisfactory one, for Katerina Ivanovna's children; that he had, through certain connections, succeeded in getting hold of certain personages by whose help the three orphans could be at once placed in very suitable institutions; that the money he had settled on them had been of great assistance, as it is much easier to place orphans with some property than destitute ones. He said something too about Sonia and promised to come himself in a day or two to see Raskolnikov, mentioning that "he would like to consult with him, that there were things they must talk over. . . ."

This conversation took place in the passage on the stairs. Svidrigailov looked intently at Raskolnikov and suddenly, after a brief pause, dropping his voice, asked: "But how is it, Rodion Romanovitch; you don't seem yourself? You look and you listen, but you don't seem to understand. Cheer up! We'll talk things over; I am only sorry, I've so much to do of my own business and other people's. Ah, Rodion Romanovitch," he added suddenly, "what all men need is fresh air, fresh air . . . more than anything!"

He moved to one side to make way for the priest and server, who were coming up the stairs. They had come for the requiem service. By Svidrigailov's orders it was sung twice a day punctually. Svidrigailov went his way. Raskolnikov stood still a moment, thought, and followed the priest into Sonia's room. He stood at the door. They began quietly, slowly and mournfully singing the service. From his childhood the thought of death and the presence of death had something oppressive and mysteriously awful; and it was long since he had heard the requiem service. And there was something else here as well, too awful and disturbing. He looked at the children: they were all kneeling by the coffin; Polenka was weeping. Behind them Sonia prayed, softly and, as it were, timidly weeping.

"These last two days she hasn't said a word to me, she hasn't glanced at me," Raskolnikov thought suddenly. The sunlight was bright in the room; the incense rose in clouds; the priest read, "Give rest, oh Lord. . . ." Raskolnikov stayed all through the service. As he blessed them and took his leave, the priest looked round strangely. After the service, Raskolnikov went up to Sonia. She took both his hands and let her head sink on his shoulder. This slight friendly gesture bewildered Raskolnikov. It seemed strange to him that there was no trace of repugnance, no trace of disgust, no tremor in her hand. It was the furthest limit of self-abnegation, at least so he interpreted it.

Sonia said nothing. Raskolnikov pressed her hand and went out. He felt very miserable. If it had been possible to escape to some solitude, he would have thought himself lucky, even if he had to spend his whole life there. But although he had almost always been by himself of late, he had never been able to feel alone. Sometimes he walked out of the town on to the high road, once he had even reached a little wood, but the lonelier the place was, the more he seemed to be aware of an uneasy presence near him. It did not frighten him, but greatly annoyed him, so that he made haste to return to the town, to mingle with the crowd, to enter restaurants and taverns, to walk in busy thoroughfares. There he felt easier and even more solitary. One day at dusk he sat for an hour listening to songs in a tavern and he remembered that he positively enjoyed it. But at last he had suddenly felt the same uneasiness again, as though his conscience smote him. "Here I sit listening to singing, is that what I ought to be doing?" he thought. Yet he felt at once that that was not the only cause of his uneasiness; there was something requiring immediate decision, but it was something he could not clearly understand or put into words. It was a hopeless tangle. "No, better the struggle again! Better Porfiry again . . . or Svidrigailov. . . . Better some challenge again . . . some attack. Yes, yes!" he thought. He went out of the tavern and rushed away almost at a run. The thought of Dounia and his mother suddenly reduced him almost to a panic. That night he woke up before morning among some bushes in Krestovsky Island, trembling all over with fever; he walked home, and it was early morning when he arrived. After some hours' sleep the fever left him, but he woke up late, two o'clock in the afternoon.

He remembered that Katerina Ivanovna's funeral had been fixed for that day, and was glad that he was not present at it. Nastasya brought him some food; he ate and drank with appetite, almost with greediness. His head was fresher and he was calmer than he had been for the last three days. He even felt a passing wonder at his previous attacks of panic.

The door opened and Razumihin came in.

"Ah, he's eating, then he's not ill," said Razumihin. He took a chair and sat down at the table opposite Raskolnikov.

He was troubled and did not attempt to conceal it. He spoke with evident annoyance, but without hurry or raising his voice. He looked as though he had some special fixed determination.

"Listen," he began resolutely. "As far as I am concerned, you may all go to hell, but from what I see, it's clear to me that I can't make head or tail of it; please don't think I've come to ask you questions. I don't want to know, hang it! If you begin telling me your secrets, I dare say I shouldn't stay to listen, I should go away cursing. I have only come to find out once for all whether it's a fact that you are mad? There is a conviction in the air that you are mad or very nearly so. I admit I've been disposed to that opinion myself, judging from your stupid, repulsive and quite inexplicable actions, and from your recent behavior to your mother and sister. Only a monster or a madman could treat them as you have; so you must be mad."

"When did you see them last?"

"Just now. Haven't you seen them since then? What have you been doing with yourself? Tell me, please. I've been to you three times already. Your mother has been seriously ill since yesterday. She had made up her mind to come to you; Avdotya Romanovna tried to prevent her; she wouldn't hear a word. 'If he is ill, if his mind is giving way, who can look after him like his mother?' she said. We all came here together, we couldn't let her come alone all the way. We kept begging her to be calm. We came in, you weren't here; she sat down, and stayed ten minutes, while we stood waiting in silence. She got up and said:

'If he's gone out, that is, if he is well, and has forgotten his mother, it's humiliating and unseemly for his mother to stand at his door begging for kindness.' She returned home and took to her bed; now she is in a fever. 'I see,' she said, 'that he has time for /his girl/.' She means by /your girl/ Sofya Semyonovna, your betrothed or your mistress, I don't know. I went at once to Sofya Semyonovna's, for I wanted to know what was going on. I looked round, I saw the coffin, the children crying, and Sofya Semyonovna trying them on mourning dresses. No sign of you. I apologised, came away, and reported to Avdotya Romanovna. So that's all nonsense and you haven't got a girl; the most likely thing is that you are mad. But here you sit, guzzling boiled beef as though you'd not had a bite for three days. Though as far as that goes, madmen eat too, but though you have not said a word to me yet . . . you are not mad! That I'd swear! Above all, you are not mad! So you may go to hell, all of you, for there's some mystery, some secret about it, and I don't intend to worry my brains over your secrets. So I've simply come to swear at you," he finished, getting up, "to relieve my mind. And I know what to do now."

"What do you mean to do now?"

"What business is it of yours what I mean to do?"

"You are going in for a drinking bout."

"How . . . how did you know?"

"Why, it's pretty plain."

Razumihin paused for a minute.

"You always have been a very rational person and you've never been mad, never," he observed suddenly with warmth. "You're right: I shall drink. Good-bye!"

And he moved to go out.

"I was talking with my sister--the day before yesterday, I think it was--about you, Razumihin."

"About me! But . . . where can you have seen her the day before yesterday?" Razumihin stopped short and even turned a little pale.

One could see that his heart was throbbing slowly and violently.

"She came here by herself, sat there and talked to me."

"She did!"

"Yes."

"What did you say to her . . . I mean, about me?"

"I told her you were a very good, honest, and industrious man. I didn't tell her you love her, because she knows that herself."

"She knows that herself?"

"Well, it's pretty plain. Wherever I might go, whatever happened to me, you would remain to look after them. I, so to speak, give them into your keeping, Razumihin. I say this because I know quite well how you love her, and am convinced of the purity of your heart. I know that she too may love you and perhaps does love you already. Now decide for yourself, as you know best, whether you need go in for a drinking bout or not."

"Rodya! You see . . . well. . . . Ach, damn it! But where do you mean to go? Of course, if it's all a secret, never mind. . . . But I . . . I shall find out the secret . . . and I am sure that it must be some ridiculous nonsense and that you've made it all up. Anyway you are a capital fellow, a capital fellow! . . ."

"That was just what I wanted to add, only you interrupted, that that was a very good decision of yours not to find out these secrets. Leave it to time, don't worry about it. You'll know it all in time when it must be. Yesterday a man said to me that what a man needs is fresh air, fresh air, fresh air. I mean to go to him directly to find out what he meant by that."

Razumihin stood lost in thought and excitement, making a silent conclusion.

"He's a political conspirator! He must be. And he's on the eve of some desperate step, that's certain. It can only be that! And . . . and Dounia knows," he thought suddenly.

"So Avdotya Romanovna comes to see you," he said, weighing each syllable, "and you're going to see a man who says we need more air, and so of course that letter . . . that too must have something to do with it," he concluded to himself.

"What letter?"

"She got a letter to-day. It upset her very much--very much indeed. Too much so. I began speaking of you, she begged me not to. Then . . . then she said that perhaps we should very soon have to part . . . then she began warmly thanking me for something; then she went to her room and locked herself in."

"She got a letter?" Raskolnikov asked thoughtfully.

"Yes, and you didn't know? hm . . ."

They were both silent.

"Good-bye, Rodion. There was a time, brother, when I. . . . Never mind, good-bye. You see, there was a time. . . . Well, good-bye! I must be off too. I am not going to drink. There's no need now. . . . That's all stuff!"

He hurried out; but when he had almost closed the door behind him, he suddenly opened it again, and said, looking away:

"Oh, by the way, do you remember that murder, you know Porfiry's, that old woman? Do you know the murderer has been found, he has confessed and given the proofs. It's one of those very workmen, the painter, only fancy! Do you remember I defended them here? Would you believe it, all that scene of fighting and laughing with his companions on the stairs while the porter and the two witnesses were going up, he got up on purpose to disarm suspicion. The cunning, the presence of mind of the young dog! One can hardly credit it; but it's his own explanation, he has confessed it all. And what a fool I was about it! Well, he's simply a genius of hypocrisy and resourcefulness in disarming the suspicions of the lawyers--so there's nothing much to wonder at, I suppose! Of course people like that are always possible. And the fact that he couldn't keep up the character, but confessed, makes him easier to believe in. But what a fool I was! I was frantic on their side!"

"Tell me, please, from whom did you hear that, and why does it interest you so?" Raskolnikov asked with unmistakable agitation.

"What next? You ask me why it interests me! . . . Well, I heard it from Porfiry, among others . . . It was from him I heard almost all about it."

"From Porfiry?"

"From Porfiry."

"What . . . what did he say?" Raskolnikov asked in dismay.

"He gave me a capital explanation of it. Psychologically, after his fashion."

"He explained it? Explained it himself?"

"Yes, yes; good-bye. I'll tell you all about it another time, but now I'm busy. There was a time when I fancied . . . But no matter, another time! . . . What need is there for me to drink now? You have made me drunk without wine. I am drunk, Rodya! Good-bye, I'm going. I'll come again very soon."

He went out.

"He's a political conspirator, there's not a doubt about it," Razumihin decided, as he slowly descended the stairs. "And he's drawn his sister in; that's quite, quite in keeping with Avdotya Romanovna's character. There are interviews between them! . . . She hinted at it too . . . So many of her words. . . . and hints . . . bear that meaning! And how else can all this tangle be explained? Hm! And I was almost thinking . . . Good heavens, what I thought! Yes, I took leave of my senses and I wronged him! It was his doing, under the lamp in the corridor that day. Pfoo! What a crude, nasty, vile idea on my part! Nikolay is a brick, for confessing. . . . And how clear it all is now! His illness then, all his strange actions . . . before this, in the university, how morose he used to be, how gloomy. . . . But what's the meaning now of that letter? There's something in that, too, perhaps. Whom was it from? I suspect . . .! No, I must find out!"

He thought of Dounia, realising all he had heard and his heart throbbed, and he suddenly broke into a run.

As soon as Razumihin went out, Raskolnikov got up, turned to the window, walked into one corner and then into another, as though forgetting the smallness of his room, and sat down again on the sofa. He felt, so to speak, renewed; again the struggle, so a means of escape had come.

"Yes, a means of escape had come! It had been too stifling, too cramping, the burden had been too agonising. A lethargy had come upon him at times. From the moment of the scene with Nikolay at Porfiry's he had been suffocating, penned in without hope of escape. After Nikolay's confession, on that very day had come the scene with Sonia; his behaviour and his last words had been utterly unlike anything he could have imagined beforehand; he had grown feebler, instantly and fundamentally! And he had agreed at the time with Sonia, he had agreed in his heart he could not go on living alone with such a thing on his mind!

"And Svidrigailov was a riddle . . . He worried him, that was true, but somehow not on the same point. He might still have a struggle to come with Svidrigailov. Svidrigailov, too, might be a means of escape; but Porfiry was a different matter.

"And so Porfiry himself had explained it to Razumihin, had explained it /psychologically/. He had begun bringing in his damned psychology again! Porfiry? But to think that Porfiry should for one moment believe that Nikolay was guilty, after what had passed between them before Nikolay's appearance, after that tete-a-tete interview, which could have only /one/ explanation? (During those days Raskolnikov had often recalled passages in that scene with Porfiry; he could not bear to let his mind rest on it.) Such words, such gestures had passed between them, they had exchanged such glances, things had been said in such a tone and had reached such a pass, that Nikolay, whom Porfiry had seen through at the first word, at the first gesture, could not have shaken his conviction.

"And to think that even Razumihin had begun to suspect! The scene in the corridor under the lamp had produced its effect then. He had rushed to Porfiry. . . . But what had induced the latter to receive him like that? What had been his object in putting Razumihin off with Nikolay? He must have some plan; there was some design, but what was it? It was true that a long time had passed since that morning--too long a time--and no sight nor sound of Porfiry. Well, that was a bad sign. . . ."

Raskolnikov took his cap and went out of the room, still pondering. It was the first time for a long while that he had felt clear in his mind, at least. "I must settle Svidrigailov," he thought, "and as soon as possible; he, too, seems to be waiting for me to come to him of my own accord." And at that moment there was such a rush of hate in his weary heart that he might have killed either of those two--Porfiry or Svidrigailov. At least he felt that he would be capable of doing it later, if not now.

"We shall see, we shall see," he repeated to himself.

But no sooner had he opened the door than he stumbled upon Porfiry himself in the passage. He was coming in to see him. Raskolnikov was dumbfounded for a minute, but only for one minute. Strange to say, he was not very much astonished at seeing Porfiry and scarcely afraid of him. He was simply startled, but was quickly, instantly, on his guard. "Perhaps this will mean the end? But how could Porfiry have approached so quietly, like a cat, so that he had heard nothing? Could he have been listening at the door?"

"You didn't expect a visitor, Rodion Romanovitch," Porfiry explained, laughing. "I've been meaning to look in a long time; I was passing by and thought why not go in for five minutes. Are you going out? I won't keep you long. Just let me have one cigarette."

"Sit down, Porfiry Petrovitch, sit down." Raskolnikov gave his visitor a seat with so pleased and friendly an expression that he would have marvelled at himself, if he could have seen it.

The last moment had come, the last drops had to be drained! So a man will sometimes go through half an hour of mortal terror with a brigand, yet when the knife is at his throat at last, he feels no fear.

Raskolnikov seated himself directly facing Porfiry, and looked at him without flinching. Porfiry screwed up his eyes and began lighting a cigarette.

"Speak, speak," seemed as though it would burst from Raskolnikov's heart. "Come, why don't you speak?"

Part VI: Chapter II

"Ah these cigarettes!" Porfiry Petrovitch ejaculated at last, having lighted one. "They are pernicious, positively pernicious, and yet I can't give them up! I cough, I begin to have tickling in my throat and a difficulty in breathing. You know I am a coward, I went lately to Dr. B----n; he always gives at least half an hour to each patient. He positively laughed looking at me; he sounded me: 'Tobacco's bad for you,' he said, 'your lungs are affected.' But how am I to give it up? What is there to take its place? I don't drink, that's the mischief, he-he-he, that I don't. Everything is relative, Rodion Romanovitch, everything is relative!"

"Why, he's playing his professional tricks again," Raskolnikov thought with disgust. All the circumstances of their last interview suddenly came back to him, and he felt a rush of the feeling that had come upon him then.

"I came to see you the day before yesterday, in the evening; you didn't know?" Porfiry Petrovitch went on, looking round the room. "I came into this very room. I was passing by, just as I did to-day, and I thought I'd return your call. I walked in as your door was wide open, I looked round, waited and went out without leaving my name with your servant. Don't you lock your door?"

Raskolnikov's face grew more and more gloomy. Porfiry seemed to guess his state of mind.

"I've come to have it out with you, Rodion Romanovitch, my dear fellow! I owe you an explanation and must give it to you," he continued with a slight smile, just patting Raskolnikov's knee.

But almost at the same instant a serious and careworn look came into his face; to his surprise Raskolnikov saw a touch of sadness in it. He had never seen and never suspected such an expression in his face.

"A strange scene passed between us last time we met, Rodion Romanovitch. Our first interview, too, was a strange one; but then

. . . and one thing after another! This is the point: I have perhaps acted unfairly to you; I feel it. Do you remember how we parted? Your nerves were unhinged and your knees were shaking and so were mine. And, you know, our behaviour was unseemly, even ungentlemanly. And yet we are gentlemen, above all, in any case, gentlemen; that must be understood. Do you remember what we came to? . . . and it was quite indecorous."

"What is he up to, what does he take me for?" Raskolnikov asked himself in amazement, raising his head and looking with open eyes on Porfiry.

"I've decided openness is better between us," Porfiry Petrovitch went on, turning his head away and dropping his eyes, as though unwilling to disconcert his former victim and as though disdaining his former wiles. "Yes, such suspicions and such scenes cannot continue for long. Nikolay put a stop to it, or I don't know what we might not have come to. That damned workman was sitting at the time in the next room--can you realise that? You know that, of course; and I am aware that he came to you afterwards. But what you supposed then was not true: I had not sent for anyone, I had made no kind of arrangements. You ask why I hadn't? What shall I say to you? it had all come upon me so suddenly. I had scarcely sent for the porters (you noticed them as you went out, I dare say). An idea flashed upon me; I was firmly convinced at the time, you see, Rodion Romanovitch. Come, I thought--even if I let one thing slip for a time, I shall get hold of something else--I shan't lose what I want, anyway. You are nervously irritable, Rodion Romanovitch, by temperament; it's out of proportion with other qualities of your heart and character, which I flatter myself I have to some extent divined. Of course I did reflect even then that it does not always happen that a man gets up and blurts out his whole story. It does happen sometimes, if you make a man lose all patience, though even then it's rare. I was capable of realising that. If I only had a fact, I thought, the least little fact to go upon, something I could lay hold of, something tangible, not merely psychological. For if a man is guilty, you must be able to get something substantial out of him; one may reckon upon most surprising results indeed. I was reckoning on your temperament, Rodion Romanovitch, on your temperament above all things! I had great hopes of you at that time."

"But what are you driving at now?" Raskolnikov muttered at last, asking the question without thinking.

"What is he talking about?" he wondered distractedly, "does he really take me to be innocent?"

"What am I driving at? I've come to explain myself, I consider it my duty, so to speak. I want to make clear to you how the whole business, the whole misunderstanding arose. I've caused you a great deal of suffering, Rodion Romanovitch. I am not a monster. I understand what it must mean for a man who has been unfortunate, but who is proud, imperious and above all, impatient, to have to bear such treatment! I regard you in any case as a man of noble character and not without elements of magnanimity, though I don't agree with all your convictions. I wanted to tell you this first, frankly and quite sincerely, for above all I don't want to deceive you. When I made your acquaintance, I felt attracted by you. Perhaps you will laugh at my saying so. You have a right to. I know you disliked me from the first and indeed you've no reason to like me. You may think what you like, but I desire now to do all I can to efface that impression and to show that I am a man of heart and conscience. I speak sincerely."

Porfiry Petrovitch made a dignified pause. Raskolnikov felt a rush of renewed alarm. The thought that Porfiry believed him to be innocent began to make him uneasy.

"It's scarcely necessary to go over everything in detail," Porfiry Petrovitch went on. "Indeed, I could scarcely attempt it. To begin with there were rumours. Through whom, how, and when those rumours came to me . . . and how they affected you, I need not go into. My suspicions were aroused by a complete accident, which might just as easily not have happened. What was it? Hm! I believe there is no need to go into that either. Those rumours and that accident led to one idea in my mind. I admit it openly--for one may as well make a clean breast of it--I was the first to pitch on you. The old woman's notes on the pledges and the rest of it--that all came to nothing. Yours was one of a hundred. I happened, too, to hear of the scene at the office, from a man who described it capitally, unconsciously reproducing the scene with great vividness. It was just one thing after another, Rodion Romanovitch, my dear fellow! How could I avoid being brought to certain ideas? From a hundred rabbits you can't make a horse, a hundred suspicions don't make a proof, as the English proverb says, but that's only from the rational point of view--you can't help being partial, for after all a lawyer is only human. I thought, too, of your article in that journal, do you remember, on your first visit we talked of it? I jeered at you at the time, but that was only to lead you on. I repeat, Rodion Romanovitch, you are ill and impatient. That you were bold, headstrong, in earnest and . . . had felt a great deal I recognised long before. I, too, have felt the same, so that your article seemed familiar to me. It was conceived on sleepless nights, with a throbbing heart, in ecstasy and suppressed enthusiasm. And that proud suppressed enthusiasm in young people is dangerous! I jeered at you then, but let me tell you that, as a literary amateur, I am awfully fond of such first essays, full of the heat of youth. There is a mistiness and a chord vibrating in the mist. Your article is absurd and fantastic, but there's a transparent sincerity, a youthful incorruptible pride and the daring of despair in it. It's a gloomy article, but that's what's fine in it. I read your article and put it aside, thinking as I did so 'that man won't go the common way.' Well, I ask you, after that as a preliminary, how could I help being carried away by what followed? Oh, dear, I am not saying anything, I am not making any statement now. I simply noted it at the time. What is there in it? I reflected. There's nothing in it, that is really nothing and perhaps absolutely nothing. And it's not at all the thing for the prosecutor to let himself be carried away by notions: here I have Nikolay on my hands with actual evidence against him--you may think what you like of it, but it's evidence. He brings in his psychology, too; one has to consider him, too, for it's a matter of life and death. Why am I explaining this to you? That you may understand, and not blame my malicious behaviour on that occasion. It was not malicious, I assure you, he-he! Do you suppose I didn't come to search your room at the time? I did, I did, he-he! I was here when you were lying ill in bed, not officially, not in my own person, but I was here. Your room was searched to the last thread at the first suspicion; but /umsonst/! I thought to myself, now that man will come, will come of himself and quickly, too; if he's guilty, he's sure to come. Another man wouldn't, but he will. And you remember how Mr. Razumihin began discussing the subject with you? We arranged that to excite you, so we purposely spread rumours, that he might discuss the case with you, and Razumihin is not a man to restrain his indignation. Mr. Zametov was tremendously struck by your anger and your open daring. Think of blurting out in a restaurant 'I killed her.' It was too daring, too reckless. I thought so myself, if he is guilty he will be a formidable opponent. That was what I thought at the time. I was expecting you. But you simply bowled Zametov over and . . . well, you see, it all lies in this--that this damnable psychology can be taken two ways! Well, I kept expecting you, and so it was, you came! My heart was fairly throbbing. Ach!

"Now, why need you have come? Your laughter, too, as you came in, do you remember? I saw it all plain as daylight, but if I hadn't expected you so specially, I should not have noticed anything in your laughter. You see what influence a mood has! Mr. Razumihin then--ah, that stone, that stone under which the things were hidden! I seem to see it somewhere in a kitchen garden. It was in a kitchen garden, you told Zametov and afterwards you repeated that in my office? And when we began picking your article to pieces, how you explained it! One could take every word of yours in two senses, as though there were another meaning hidden.

"So in this way, Rodion Romanovitch, I reached the furthest limit, and knocking my head against a post, I pulled myself up, asking myself what I was about. After all, I said, you can take it all in another sense if you like, and it's more natural so, indeed. I couldn't help admitting it was more natural. I was bothered! 'No, I'd better get hold of some little fact' I said. So when I heard of the bell-ringing, I held my breath and was all in a tremor. 'Here is my little fact,' thought I, and I didn't think it over, I simply wouldn't. I would have given a thousand roubles at that minute to have seen you with my own eyes, when you walked a hundred paces beside that workman, after he had called you murderer to your face, and you did not dare to ask him a question all the way. And then what about your trembling, what about your bell-ringing in your illness, in semi-delirium?

"And so, Rodion Romanovitch, can you wonder that I played such pranks on you? And what made you come at that very minute? Someone seemed to have sent you, by Jove! And if Nikolay had not parted us . . . and do you remember Nikolay at the time? Do you remember him clearly? It was a thunderbolt, a regular thunderbolt! And how I met him! I didn't believe in the thunderbolt, not for a minute. You could see it for yourself; and how could I? Even afterwards, when you had gone and he began making very, very plausible answers on certain points, so that I was surprised at him myself, even then I didn't believe his story! You see what it is to be as firm as a rock! No, thought I, /Morgenfruh/. What has Nikolay got to do with it!"

"Razumihin told me just now that you think Nikolay guilty and had yourself assured him of it. . . ."

His voice failed him, and he broke off. He had been listening in indescribable agitation, as this man who had seen through and through him, went back upon himself. He was afraid of believing it and did not believe it. In those still ambiguous words he kept eagerly looking for something more definite and conclusive.

"Mr. Razumihin!" cried Porfiry Petrovitch, seeming glad of a question from Raskolnikov, who had till then been silent. "He-he-he! But I had to put Mr. Razumihin off; two is company, three is none. Mr. Razumihin is not the right man, besides he is an outsider. He came running to me with a pale face. . . . But never mind him, why bring him in? To return to Nikolay, would you like to know what sort of a type he is, how I understand him, that is? To begin with, he is still a child and not exactly a coward, but something by way of an artist. Really, don't laugh at my describing him so. He is innocent and responsive to influence. He has a heart, and is a fantastic fellow. He sings and dances, he tells stories, they say, so that people come from other villages to hear him. He attends school too, and laughs till he cries if you hold up a finger to him; he will drink himself senseless--not as a regular vice, but at times, when people treat him, like a child. And he stole, too, then, without knowing it himself, for 'How can it be stealing, if one picks it up?' And do you know he is an Old Believer, or rather a dissenter? There have been Wanderers[*] in his family, and he was for two years in his village under the spiritual guidance of a certain elder. I learnt all this from Nikolay and from his fellow villagers. And what's more, he wanted to run into the wilderness! He was full of fervour, prayed at night, read the old books, 'the true' ones, and read himself crazy.

[*] A religious sect.--TRANSLATOR'S NOTE.

"Petersburg had a great effect upon him, especially the women and the wine. He responds to everything and he forgot the elder and all that. I learnt that an artist here took a fancy to him, and used to go and see him, and now this business came upon him.

"Well, he was frightened, he tried to hang himself! He ran away! How can one get over the idea the people have of Russian legal proceedings? The very word 'trial' frightens some of them. Whose fault is it? We shall see what the new juries will do. God grant they do good! Well, in prison, it seems, he remembered the venerable elder; the Bible, too, made its appearance again. Do you know, Rodion Romanovitch, the force of the word 'suffering' among some of these people! It's not a question of suffering for someone's benefit, but simply, 'one must suffer.' If they suffer at the hands of the authorities, so much the better. In my time there was a very meek and mild prisoner who spent a whole year in prison always reading his Bible on the stove at night and he read himself crazy, and so crazy, do you know, that one day, apropos of nothing, he seized a brick and flung it at the governor; though he had done him no harm. And the way he threw it too: aimed it a yard on one side on purpose, for fear of hurting him. Well, we know what happens to a prisoner who assaults an officer with a weapon. So 'he took his suffering.'

"So I suspect now that Nikolay wants to take his suffering or something of the sort. I know it for certain from facts, indeed. Only he doesn't know that I know. What, you don't admit that there are such fantastic people among the peasants? Lots of them. The elder now has begun influencing him, especially since he tried to hang himself. But he'll come and tell me all himself. You think he'll hold out? Wait a bit, he'll take his words back. I am waiting from hour to hour for him to come and abjure his evidence. I have come to like that Nikolay and am studying him in detail. And what do you think? He-he! He answered me very plausibly on some points, he obviously had collected some evidence and prepared himself cleverly. But on other points he is simply at sea, knows nothing and doesn't even suspect that he doesn't know!

"No, Rodion Romanovitch, Nikolay doesn't come in! This is a fantastic, gloomy business, a modern case, an incident of to-day when the heart of man is troubled, when the phrase is quoted that blood 'renews,' when comfort is preached as the aim of life. Here we have bookish dreams, a heart unhinged by theories. Here we see resolution in the first stage, but resolution of a special kind: he resolved to do it like jumping over a precipice or from a bell tower and his legs shook as he went to the crime. He forgot to shut the door after him, and murdered two people for a theory. He committed the murder and couldn't take the money, and what he did manage to snatch up he hid under a stone. It wasn't enough for him to suffer agony behind the door while they battered at the door and rung the bell, no, he had to go to the empty lodging, half delirious, to recall the bell-ringing, he wanted to feel the cold shiver over again. . . . Well, that we grant, was through illness, but consider this: he is a murderer, but looks upon himself as an honest man, despises others, poses as injured innocence. No, that's not the work of a Nikolay, my dear Rodion Romanovitch!"

All that had been said before had sounded so like a recantation that these words were too great a shock. Raskolnikov shuddered as though he had been stabbed.

"Then . . . who then . . . is the murderer?" he asked in a breathless voice, unable to restrain himself.

Porfiry Petrovitch sank back in his chair, as though he were amazed at the question.

"Who is the murderer?" he repeated, as though unable to believe his ears. "Why, /you/, Rodion Romanovitch! You are the murderer," he added, almost in a whisper, in a voice of genuine conviction.

Raskolnikov leapt from the sofa, stood up for a few seconds and sat down again without uttering a word. His face twitched convulsively.

"Your lip is twitching just as it did before," Porfiry Petrovitch observed almost sympathetically. "You've been misunderstanding me, I think, Rodion Romanovitch," he added after a brief pause, "that's why you are so surprised. I came on purpose to tell you everything and deal openly with you."

"It was not I murdered her," Raskolnikov whispered like a frightened child caught in the act.

"No, it was you, you Rodion Romanovitch, and no one else," Porfiry whispered sternly, with conviction.

They were both silent and the silence lasted strangely long, about ten minutes. Raskolnikov put his elbow on the table and passed his fingers through his hair. Porfiry Petrovitch sat quietly waiting. Suddenly Raskolnikov looked scornfully at Porfiry.

"You are at your old tricks again, Porfiry Petrovitch! Your old method again. I wonder you don't get sick of it!"

"Oh, stop that, what does that matter now? It would be a different matter if there were witnesses present, but we are whispering alone. You see yourself that I have not come to chase and capture you like a hare. Whether you confess it or not is nothing to me now; for myself, I am convinced without it."

"If so, what did you come for?" Raskolnikov asked irritably. "I ask you the same question again: if you consider me guilty, why don't you take me to prison?"

"Oh, that's your question! I will answer you, point for point. In the first place, to arrest you so directly is not to my interest."

"How so? If you are convinced you ought. . . ."

"Ach, what if I am convinced? That's only my dream for the time. Why should I put you in safety? You know that's it, since you ask me to do it. If I confront you with that workman for instance and you say to him 'were you drunk or not? Who saw me with you? I simply took you to be drunk, and you were drunk, too.' Well, what could I answer, especially as your story is a more likely one than his? for there's nothing but psychology to support his evidence--that's almost unseemly with his ugly mug, while you hit the mark exactly, for the rascal is an inveterate drunkard and notoriously so. And I have myself admitted candidly several times already that that psychology can be taken in two ways and that the second way is stronger and looks far more probable, and that apart from that I have as yet nothing against you. And though I shall put you in prison and indeed have come--quite contrary to etiquette--to inform you of it beforehand, yet I tell you frankly, also contrary to etiquette, that it won't be to my advantage. Well, secondly, I've come to you because . . ."

"Yes, yes, secondly?" Raskolnikov was listening breathless.

"Because, as I told you just now, I consider I owe you an explanation. I don't want you to look upon me as a monster, as I have a genuine liking for you, you may believe me or not. And in the third place I've come to you with a direct and open proposition--that you should surrender and confess. It will be infinitely more to your advantage and to my advantage too, for my task will be done. Well, is this open on my part or not?"

Raskolnikov thought a minute.

"Listen, Porfiry Petrovitch. You said just now you have nothing but psychology to go on, yet now you've gone on mathematics. Well, what if you are mistaken yourself, now?"

"No, Rodion Romanovitch, I am not mistaken. I have a little fact even then, Providence sent it me."

"What little fact?"

"I won't tell you what, Rodion Romanovitch. And in any case, I haven't the right to put it off any longer, I must arrest you. So think it over: it makes no difference to me /now/ and so I speak only for your sake. Believe me, it will be better, Rodion Romanovitch."

Raskolnikov smiled malignantly.

"That's not simply ridiculous, it's positively shameless. Why, even if I were guilty, which I don't admit, what reason should I have to confess, when you tell me yourself that I shall be in greater safety in prison?"

"Ah, Rodion Romanovitch, don't put too much faith in words, perhaps prison will not be altogether a restful place. That's only theory and my theory, and what authority am I for you? Perhaps, too, even now I am hiding something from you? I can't lay bare everything, he-he! And how can you ask what advantage? Don't you know how it would lessen your sentence? You would be confessing at a moment when another man has taken the crime on himself and so has muddled the whole case. Consider that! I swear before God that I will so arrange that your confession shall come as a complete surprise. We will make a clean sweep of all these psychological points, of a suspicion against you, so that your crime will appear to have been something like an aberration, for in truth it was an aberration. I am an honest man, Rodion Romanovitch, and will keep my word."

Raskolnikov maintained a mournful silence and let his head sink dejectedly. He pondered a long while and at last smiled again, but his smile was sad and gentle.

"No!" he said, apparently abandoning all attempt to keep up appearances with Porfiry, "it's not worth it, I don't care about lessening the sentence!"

"That's just what I was afraid of!" Porfiry cried warmly and, as it seemed, involuntarily. "That's just what I feared, that you wouldn't care about the mitigation of sentence."

Raskolnikov looked sadly and expressively at him.

"Ah, don't disdain life!" Porfiry went on. "You have a great deal of it still before you. How can you say you don't want a mitigation of sentence? You are an impatient fellow!"

"A great deal of what lies before me?"

"Of life. What sort of prophet are you, do you know much about it? Seek and ye shall find. This may be God's means for bringing you to Him. And it's not for ever, the bondage. . . ."

"The time will be shortened," laughed Raskolnikov.

"Why, is it the bourgeois disgrace you are afraid of? It may be that you are afraid of it without knowing it, because you are young! But anyway /you/ shouldn't be afraid of giving yourself up and confessing."

"Ach, hang it!" Raskolnikov whispered with loathing and contempt, as though he did not want to speak aloud.

He got up again as though he meant to go away, but sat down again in evident despair.

"Hang it, if you like! You've lost faith and you think that I am grossly flattering you; but how long has your life been? How much do you understand? You made up a theory and then were ashamed that it broke down and turned out to be not at all original! It turned out something base, that's true, but you are not hopelessly base. By no means so base! At least you didn't deceive yourself for long, you went straight to the furthest point at one bound. How do I regard you? I regard you as one of those men who would stand and smile at their torturer while he cuts their entrails out, if only they have found faith or God. Find it and you will live. You have long needed a change of air. Suffering, too, is a good thing. Suffer! Maybe Nikolay is right in wanting to suffer. I know you don't believe in it--but don't be over-wise; fling yourself straight into life, without deliberation; don't be afraid--the flood will bear you to the bank and set you safe on your feet again. What bank? How can I tell? I only believe that you have long life before you. I know that you take all my words now for a set speech prepared beforehand, but maybe you will remember them after. They may be of use some time. That's why I speak. It's as well that you only killed the old woman. If you'd invented another theory you might perhaps have done something a thousand times more hideous. You ought to thank God, perhaps. How do you know? Perhaps God is saving you for something. But keep a good heart and have less fear! Are you afraid of the great expiation before you? No, it would be shameful to be afraid of it. Since you have taken such a step, you must harden your heart. There is justice in it. You must fulfil the demands of justice. I know that you don't believe it, but indeed, life will bring you through. You will live it down in time. What you need now is fresh air, fresh air, fresh air!"

Raskolnikov positively started.

"But who are you? what prophet are you? From the height of what majestic calm do you proclaim these words of wisdom?"

"Who am I? I am a man with nothing to hope for, that's all. A man perhaps of feeling and sympathy, maybe of some knowledge too, but my day is over. But you are a different matter, there is life waiting for you. Though, who knows? maybe your life, too, will pass off in smoke and come to nothing. Come, what does it matter, that you will pass into another class of men? It's not comfort you regret, with your heart! What of it that perhaps no one will see you for so long? It's not time, but yourself that will decide that. Be the sun and all will see you. The sun has before all to be the sun. Why are you smiling again? At my being such a Schiller? I bet you're imagining that I am trying to get round you by flattery. Well, perhaps I am, he-he-he! Perhaps you'd better not believe my word, perhaps you'd better never believe it altogether--I'm made that way, I confess it. But let me add, you can judge for yourself, I think, how far I am a base sort of man and how far I am honest."

"When do you mean to arrest me?"

"Well, I can let you walk about another day or two. Think it over, my dear fellow, and pray to God. It's more in your interest, believe me."

"And what if I run away?" asked Raskolnikov with a strange smile.

"No, you won't run away. A peasant would run away, a fashionable dissenter would run away, the flunkey of another man's thought, for you've only to show him the end of your little finger and he'll be ready to believe in anything for the rest of his life. But you've ceased to believe in your theory already, what will you run away with? And what would you do in hiding? It would be hateful and difficult for you, and what you need more than anything in life is a definite position, an atmosphere to suit you. And what sort of atmosphere would you have? If you ran away, you'd come back to yourself. /You can't get on without us./ And if I put you in prison--say you've been there a month, or two, or three--remember my word, you'll confess of yourself and perhaps to your own surprise. You won't know an hour beforehand that you are coming with a confession. I am convinced that you will decide, 'to take your suffering.' You don't believe my words now, but you'll come to it of yourself. For suffering, Rodion Romanovitch, is a great thing. Never mind my having grown fat, I know all the same. Don't laugh at it, there's an idea in suffering, Nokolay is right. No, you won't run away, Rodion Romanovitch."

Raskolnikov got up and took his cap. Porfiry Petrovitch also rose.

"Are you going for a walk? The evening will be fine, if only we don't have a storm. Though it would be a good thing to freshen the air."

He, too, took his cap.

"Porfiry Petrovitch, please don't take up the notion that I have confessed to you to-day," Raskolnikov pronounced with sullen insistence. "You're a strange man and I have listened to you from simple curiosity. But I have admitted nothing, remember that!"

"Oh, I know that, I'll remember. Look at him, he's trembling! Don't be uneasy, my dear fellow, have it your own way. Walk about a bit, you won't be able to walk too far. If anything happens, I have one request to make of you," he added, dropping his voice. "It's an awkward one, but important. If anything were to happen (though indeed I don't believe in it and think you quite incapable of it), yet in case you were taken during these forty or fifty hours with the notion of putting an end to the business in some other way, in some fantastic fashion--laying hands on yourself--(it's an absurd proposition, but you must forgive me for it) do leave a brief but precise note, only two lines, and mention the stone. It will be more generous. Come, till we meet! Good thoughts and sound decisions to you!"

Porfiry went out, stooping and avoiding looking at Raskolnikov. The latter went to the window and waited with irritable impatience till he calculated that Porfiry had reached the street and moved away. Then he too went hurriedly out of the room.

Part VI: Chapter III

He hurried to Svidrigailov's. What he had to hope from that man he did not know. But that man had some hidden power over him. Having once recognised this, he could not rest, and now the time had come.

On the way, one question particularly worried him: had Svidrigailov been to Porfiry's?

As far as he could judge, he would swear to it, that he had not. He pondered again and again, went over Porfiry's visit; no, he hadn't been, of course he hadn't.

But if he had not been yet, would he go? Meanwhile, for the present he fancied he couldn't. Why? He could not have explained, but if he could, he would not have wasted much thought over it at the moment. It all worried him and at the same time he could not attend to it. Strange to say, none would have believed it perhaps, but he only felt a faint vague anxiety about his immediate future. Another, much more important anxiety tormented him--it concerned himself, but in a different, more vital way. Moreover, he was conscious of immense moral fatigue, though his mind was working better that morning than it had done of late.

And was it worth while, after all that had happened, to contend with these new trivial difficulties? Was it worth while, for instance, to manoeuvre that Svidrigailov should not go to Porfiry's? Was it worth while to investigate, to ascertain the facts, to waste time over anyone like Svidrigailov?

Oh, how sick he was of it all!

And yet he was hastening to Svidrigailov; could he be expecting something /new/ from him, information, or means of escape? Men will catch at straws! Was it destiny or some instinct bringing them together? Perhaps it was only fatigue, despair; perhaps it was not Svidrigailov but some other whom he needed, and Svidrigailov had simply presented himself by chance. Sonia? But what should he go to Sonia for now? To beg her tears again? He was afraid of Sonia, too. Sonia stood before him as an irrevocable sentence. He must go his own way or hers. At that moment especially he did not feel equal to seeing her. No, would it not be better to try Svidrigailov? And he could not help inwardly owning that he had long felt that he must see him for some reason.

But what could they have in common? Their very evil-doing could not be of the same kind. The man, moreover, was very unpleasant, evidently depraved, undoubtedly cunning and deceitful, possibly malignant. Such stories were told about him. It is true he was befriending Katerina Ivanovna's children, but who could tell with what motive and what it meant? The man always had some design, some project.

There was another thought which had been continually hovering of late about Raskolnikov's mind, and causing him great uneasiness. It was so painful that he made distinct efforts to get rid of it. He sometimes thought that Svidrigailov was dogging his footsteps. Svidrigailov had found out his secret and had had designs on Dounia. What if he had them still? Wasn't it practically certain that he had? And what if, having learnt his secret and so having gained power over him, he were to use it as a weapon against Dounia?

This idea sometimes even tormented his dreams, but it had never presented itself so vividly to him as on his way to Svidrigailov. The very thought moved him to gloomy rage. To begin with, this would transform everything, even his own position; he would have at once to confess his secret to Dounia. Would he have to give himself up perhaps to prevent Dounia from taking some rash step? The letter? This morning Dounia had received a letter. From whom could she get letters in Petersburg? Luzhin, perhaps? It's true Razumihin was there to protect her, but Razumihin knew nothing of the position. Perhaps it was his duty to tell Razumihin? He thought of it with repugnance.

In any case he must see Svidrigailov as soon as possible, he decided finally. Thank God, the details of the interview were of little consequence, if only he could get at the root of the matter; but if Svidrigailov were capable . . . if he were intriguing against Dounia-- then . . .

Raskolnikov was so exhausted by what he had passed through that month that he could only decide such questions in one way; "then I shall kill him," he thought in cold despair.

A sudden anguish oppressed his heart, he stood still in the middle of the street and began looking about to see where he was and which way he was going. He found himself in X. Prospect, thirty or forty paces from the Hay Market, through which he had come. The whole second storey of the house on the left was used as a tavern. All the windows were wide open; judging from the figures moving at the windows, the rooms were full to overflowing. There were sounds of singing, of clarionet and violin, and the boom of a Turkish drum. He could hear women shrieking. He was about to turn back wondering why he had come to the X. Prospect, when suddenly at one of the end windows he saw Svidrigailov, sitting at a tea-table right in the open window with a pipe in his mouth. Raskolnikov was dreadfully taken aback, almost terrified. Svidrigailov was silently watching and scrutinising him and, what struck Raskolnikov at once, seemed to be meaning to get up and slip away unobserved. Raskolnikov at once pretended not to have seen him, but to be looking absent-mindedly away, while he watched him out of the corner of his eye. His heart was beating violently. Yet, it was evident that Svidrigailov did not want to be seen. He took the pipe out of his mouth and was on the point of concealing himself, but as he got up and moved back his chair, he seemed to have become suddenly aware that Raskolnikov had seen him, and was watching him. What had passed between them was much the same as what happened at their first meeting in Raskolnikov's room. A sly smile came into Svidrigailov's face and grew broader and broader. Each knew that he was seen and watched by the other. At last Svidrigailov broke into a loud laugh.

"Well, well, come in if you want me; I am here!" he shouted from the window.

Raskolnikov went up into the tavern. He found Svidrigailov in a tiny back room, adjoining the saloon in which merchants, clerks and numbers of people of all sorts were drinking tea at twenty little tables to the desperate bawling of a chorus of singers. The click of billiard balls could be heard in the distance. On the table before Svidrigailov stood an open bottle and a glass half full of champagne. In the room he found also a boy with a little hand organ, a healthy-looking red- cheeked girl of eighteen, wearing a tucked-up striped skirt, and a Tyrolese hat with ribbons. In spite of the chorus in the other room, she was singing some servants' hall song in a rather husky contralto, to the accompaniment of the organ.

"Come, that's enough," Svidrigailov stopped her at Raskolnikov's entrance. The girl at once broke off and stood waiting respectfully. She had sung her guttural rhymes, too, with a serious and respectful expression in her face.

"Hey, Philip, a glass!" shouted Svidrigailov.

"I won't drink anything," said Raskolnikov.

"As you like, I didn't mean it for you. Drink, Katia! I don't want anything more to-day, you can go." He poured her out a full glass, and laid down a yellow note.

Katia drank off her glass of wine, as women do, without putting it down, in twenty gulps, took the note and kissed Svidrigailov's hand, which he allowed quite seriously. She went out of the room and the boy trailed after her with the organ. Both had been brought in from the street. Svidrigailov had not been a week in Petersburg, but everything about him was already, so to speak, on a patriarchal footing; the waiter, Philip, was by now an old friend and very obsequious.

The door leading to the saloon had a lock on it. Svidrigailov was at home in this room and perhaps spent whole days in it. The tavern was dirty and wretched, not even second-rate.

"I was going to see you and looking for you," Raskolnikov began, "but I don't know what made me turn from the Hay Market into the X. Prospect just now. I never take this turning. I turn to the right from the Hay Market. And this isn't the way to you. I simply turned and here you are. It is strange!"

"Why don't you say at once 'it's a miracle'?"

"Because it may be only chance."

"Oh, that's the way with all you folk," laughed Svidrigailov. "You won't admit it, even if you do inwardly believe it a miracle! Here you say that it may be only chance. And what cowards they all are here, about having an opinion of their own, you can't fancy, Rodion Romanovitch. I don't mean you, you have an opinion of your own and are not afraid to have it. That's how it was you attracted my curiosity."

"Nothing else?"

"Well, that's enough, you know," Svidrigailov was obviously exhilarated, but only slightly so, he had not had more than half a glass of wine.

"I fancy you came to see me before you knew that I was capable of having what you call an opinion of my own," observed Raskolnikov.

"Oh, well, it was a different matter. everyone has his own plans. And apropos of the miracle let me tell you that I think you have been asleep for the last two or three days. I told you of this tavern myself, there is no miracle in your coming straight here. I explained the way myself, told you where it was, and the hours you could find me here. Do you remember?"

"I don't remember," answered Raskolnikov with surprise.

"I believe you. I told you twice. The address has been stamped mechanically on your memory. You turned this way mechanically and yet precisely according to the direction, though you are not aware of it. When I told you then, I hardly hoped you understood me. You give yourself away too much, Rodion Romanovitch. And another thing, I'm convinced there are lots of people in Petersburg who talk to themselves as they walk. This is a town of crazy people. If only we had scientific men, doctors, lawyers and philosophers might make most valuable investigations in Petersburg each in his own line. There are few places where there are so many gloomy, strong and queer influences on the soul of man as in Petersburg. The mere influences of climate mean so much. And it's the administrative centre of all Russia and its character must be reflected on the whole country. But that is neither here nor there now. The point is that I have several times watched you. You walk out of your house--holding your head high--twenty paces from home you let it sink, and fold your hands behind your back. You look and evidently see nothing before nor beside you. At last you begin moving your lips and talking to yourself, and sometimes you wave one hand and declaim, and at last stand still in the middle of the road. That's not at all the thing. Someone may be watching you besides me, and it won't do you any good. It's nothing really to do with me and I can't cure you, but, of course, you understand me."

"Do you know that I am being followed?" asked Raskolnikov, looking inquisitively at him.

"No, I know nothing about it," said Svidrigailov, seeming surprised.

"Well, then, let us leave me alone," Raskolnikov muttered, frowning.

"Very good, let us leave you alone."

"You had better tell me, if you come here to drink, and directed me twice to come here to you, why did you hide, and try to get away just now when I looked at the window from the street? I saw it."

"He-he! And why was it you lay on your sofa with closed eyes and pretended to be asleep, though you were wide awake while I stood in your doorway? I saw it."

"I may have had . . . reasons. You know that yourself."

"And I may have had my reasons, though you don't know them."

Raskolnikov dropped his right elbow on the table, leaned his chin in the fingers of his right hand, and stared intently at Svidrigailov. For a full minute he scrutinised his face, which had impressed him before. It was a strange face, like a mask; white and red, with bright red lips, with a flaxen beard, and still thick flaxen hair. His eyes were somehow too blue and their expression somehow too heavy and fixed. There was something awfully unpleasant in that handsome face, which looked so wonderfully young for his age. Svidrigailov was smartly dressed in light summer clothes and was particularly dainty in his linen. He wore a huge ring with a precious stone in it.

"Have I got to bother myself about you, too, now?" said Raskolnikov suddenly, coming with nervous impatience straight to the point. "Even though perhaps you are the most dangerous man if you care to injure me, I don't want to put myself out any more. I will show you at once that I don't prize myself as you probably think I do. I've come to tell you at once that if you keep to your former intentions with regard to my sister and if you think to derive any benefit in that direction from what has been discovered of late, I will kill you before you get me locked up. You can reckon on my word. You know that I can keep it. And in the second place if you want to tell me anything --for I keep fancying all this time that you have something to tell me--make haste and tell it, for time is precious and very likely it will soon be too late."

"Why in such haste?" asked Svidrigailov, looking at him curiously.

"Everyone has his plans," Raskolnikov answered gloomily and impatiently.

"You urged me yourself to frankness just now, and at the first question you refuse to answer," Svidrigailov observed with a smile. "You keep fancying that I have aims of my own and so you look at me with suspicion. Of course it's perfectly natural in your position. But though I should like to be friends with you, I shan't trouble myself to convince you of the contrary. The game isn't worth the candle and I wasn't intending to talk to you about anything special."

"What did you want me, for, then? It was you who came hanging about me."

"Why, simply as an interesting subject for observation. I liked the fantastic nature of your position--that's what it was! Besides you are the brother of a person who greatly interested me, and from that person I had in the past heard a very great deal about you, from which I gathered that you had a great influence over her; isn't that enough? Ha-ha-ha! Still I must admit that your question is rather complex, and is difficult for me to answer. Here, you, for instance, have come to me not only for a definite object, but for the sake of hearing something new. Isn't that so? Isn't that so?" persisted Svidrigailov with a sly smile. "Well, can't you fancy then that I, too, on my way here in the train was reckoning on you, on your telling me something new, and on my making some profit out of you! You see what rich men we are!"

"What profit could you make?"

"How can I tell you? How do I know? You see in what a tavern I spend all my time and it's my enjoyment, that's to say it's no great enjoyment, but one must sit somewhere; that poor Katia now--you saw her? . . . If only I had been a glutton now, a club gourmand, but you see I can eat this."

He pointed to a little table in the corner where the remnants of a terrible-looking beef-steak and potatoes lay on a tin dish.

"Have you dined, by the way? I've had something and want nothing more. I don't drink, for instance, at all. Except for champagne I never touch anything, and not more than a glass of that all the evening, and even that is enough to make my head ache. I ordered it just now to wind myself up, for I am just going off somewhere and you see me in a peculiar state of mind. That was why I hid myself just now like a schoolboy, for I was afraid you would hinder me. But I believe," he pulled out his watch, "I can spend an hour with you. It's half-past four now. If only I'd been something, a landowner, a father, a cavalry officer, a photographer, a journalist . . . I am nothing, no specialty, and sometimes I am positively bored. I really thought you would tell me something new."

"But what are you, and why have you come here?"

"What am I? You know, a gentleman, I served for two years in the cavalry, then I knocked about here in Petersburg, then I married Marfa Petrovna and lived in the country. There you have my biography!"

"You are a gambler, I believe?"

"No, a poor sort of gambler. A card-sharper--not a gambler."

"You have been a card-sharper then?"

"Yes, I've been a card-sharper too."

"Didn't you get thrashed sometimes?"

"It did happen. Why?"

"Why, you might have challenged them . . . altogether it must have been lively."

"I won't contradict you, and besides I am no hand at philosophy. I confess that I hastened here for the sake of the women."

"As soon as you buried Marfa Petrovna?"

"Quite so," Svidrigailov smiled with engaging candour. "What of it? You seem to find something wrong in my speaking like that about women?"

"You ask whether I find anything wrong in vice?"

"Vice! Oh, that's what you are after! But I'll answer you in order, first about women in general; you know I am fond of talking. Tell me, what should I restrain myself for? Why should I give up women, since I have a passion for them? It's an occupation, anyway."

"So you hope for nothing here but vice?"

"Oh, very well, for vice then. You insist on its being vice. But anyway I like a direct question. In this vice at least there is something permanent, founded indeed upon nature and not dependent on fantasy, something present in the blood like an ever-burning ember, for ever setting one on fire and, maybe, not to be quickly extinguished, even with years. You'll agree it's an occupation of a sort."

"That's nothing to rejoice at, it's a disease and a dangerous one."

"Oh, that's what you think, is it! I agree, that it is a disease like everything that exceeds moderation. And, of course, in this one must exceed moderation. But in the first place, everybody does so in one way or another, and in the second place, of course, one ought to be moderate and prudent, however mean it may be, but what am I to do? If I hadn't this, I might have to shoot myself. I am ready to admit that a decent man ought to put up with being bored, but yet . . ."

"And could you shoot yourself?"

"Oh, come!" Svidrigailov parried with disgust. "Please don't speak of it," he added hurriedly and with none of the bragging tone he had shown in all the previous conversation. His face quite changed. "I admit it's an unpardonable weakness, but I can't help it. I am afraid of death and I dislike its being talked of. Do you know that I am to a certain extent a mystic?"

"Ah, the apparitions of Marfa Petrovna! Do they still go on visiting you?"

"Oh, don't talk of them; there have been no more in Petersburg, confound them!" he cried with an air of irritation. "Let's rather talk of that . . . though . . . H'm! I have not much time, and can't stay long with you, it's a pity! I should have found plenty to tell you."

"What's your engagement, a woman?"

"Yes, a woman, a casual incident. . . . No, that's not what I want to talk of."

"And the hideousness, the filthiness of all your surroundings, doesn't that affect you? Have you lost the strength to stop yourself?"

"And do you pretend to strength, too? He-he-he! You surprised me just now, Rodion Romanovitch, though I knew beforehand it would be so. You preach to me about vice and aesthetics! You--a Schiller, you--an idealist! Of course that's all as it should be and it would be surprising if it were not so, yet it is strange in reality. . . . Ah, what a pity I have no time, for you're a most interesting type! And, by-the-way, are you fond of Schiller? I am awfully fond of him."

"But what a braggart you are," Raskolnikov said with some disgust.

"Upon my word, I am not," answered Svidrigailov laughing. "However, I won't dispute it, let me be a braggart, why not brag, if it hurts no one? I spent seven years in the country with Marfa Petrovna, so now when I come across an intelligent person like you--intelligent and highly interesting--I am simply glad to talk and, besides, I've drunk that half-glass of champagne and it's gone to my head a little. And besides, there's a certain fact that has wound me up tremendously, but about that I . . . will keep quiet. Where are you off to?" he asked in alarm.

Raskolnikov had begun getting up. He felt oppressed and stifled and, as it were, ill at ease at having come here. He felt convinced that Svidrigailov was the most worthless scoundrel on the face of the earth.

"A-ach! Sit down, stay a little!" Svidrigailov begged. "Let them bring you some tea, anyway. Stay a little, I won't talk nonsense, about myself, I mean. I'll tell you something. If you like I'll tell you how a woman tried 'to save' me, as you would call it? It will be an answer to your first question indeed, for the woman was your sister. May I tell you? It will help to spend the time."

"Tell me, but I trust that you . . ."

"Oh, don't be uneasy. Besides, even in a worthless low fellow like me, Avdotya Romanovna can only excite the deepest respect."

Part VI: Chapter IV

"You know perhaps--yes, I told you myself," began Svidrigailov, "that I was in the debtors' prison here, for an immense sum, and had not any expectation of being able to pay it. There's no need to go into particulars how Marfa Petrovna bought me out; do you know to what a point of insanity a woman can sometimes love? She was an honest woman, and very sensible, although completely uneducated. Would you believe that this honest and jealous woman, after many scenes of hysterics and reproaches, condescended to enter into a kind of contract with me which she kept throughout our married life? She was considerably older than I, and besides, she always kept a clove or something in her mouth. There was so much swinishness in my soul and honesty too, of a sort, as to tell her straight out that I couldn't be absolutely faithful to her. This confession drove her to frenzy, but yet she seems in a way to have liked my brutal frankness. She thought it showed I was unwilling to deceive her if I warned her like this beforehand and for a jealous woman, you know, that's the first consideration. After many tears an unwritten contract was drawn up between us: first, that I would never leave Marfa Petrovna and would always be her husband; secondly, that I would never absent myself without her permission; thirdly, that I would never set up a permanent mistress; fourthly, in return for this, Marfa Petrovna gave me a free hand with the maidservants, but only with her secret knowledge; fifthly, God forbid my falling in love with a woman of our class; sixthly, in case I--which God forbid--should be visited by a great serious passion I was bound to reveal it to Marfa Petrovna. On this last score, however, Marfa Petrovna was fairly at ease. She was a sensible woman and so she could not help looking upon me as a dissolute profligate incapable of real love. But a sensible woman and a jealous woman are two very different things, and that's where the trouble came in. But to judge some people impartially we must renounce certain preconceived opinions and our habitual attitude to the ordinary people about us. I have reason to have faith in your judgment rather than in anyone's. Perhaps you have already heard a great deal that was ridiculous and absurd about Marfa Petrovna. She certainly had some very ridiculous ways, but I tell you frankly that I feel really sorry for the innumerable woes of which I was the cause. Well, and that's enough, I think, by way of a decorous /oraison funebre/ for the most tender wife of a most tender husband. When we quarrelled, I usually held my tongue and did not irritate her and that gentlemanly conduct rarely failed to attain its object, it influenced her, it pleased her, indeed. These were times when she was positively proud of me. But your sister she couldn't put up with, anyway. And however she came to risk taking such a beautiful creature into her house as a governess. My explanation is that Marfa Petrovna was an ardent and impressionable woman and simply fell in love herself--literally fell in love--with your sister. Well, little wonder--look at Avdotya Romanovna! I saw the danger at the first glance and what do you think, I resolved not to look at her even. But Avdotya Romanovna herself made the first step, would you believe it? Would you believe it too that Marfa Petrovna was positively angry with me at first for my persistent silence about your sister, for my careless reception of her continual adoring praises of Avdotya Romanovna. I don't know what it was she wanted! Well, of course, Marfa Petrovna told Avdotya Romanovna every detail about me. She had the unfortunate habit of telling literally everyone all our family secrets and continually complaining of me; how could she fail to confide in such a delightful new friend? I expect they talked of nothing else but me and no doubt Avdotya Romanovna heard all those dark mysterious rumours that were current about me.

. . . I don't mind betting that you too have heard something of the sort already?"

"I have. Luzhin charged you with having caused the death of a child. Is that true?"

"Don't refer to those vulgar tales, I beg," said Svidrigailov with disgust and annoyance. "If you insist on wanting to know about all that idiocy, I will tell you one day, but now . . ."

"I was told too about some footman of yours in the country whom you treated badly."

"I beg you to drop the subject," Svidrigailov interrupted again with obvious impatience.

"Was that the footman who came to you after death to fill your pipe?

. . . you told me about it yourself." Raskolnikov felt more and more irritated.

Svidrigailov looked at him attentively and Raskolnikov fancied he caught a flash of spiteful mockery in that look. But Svidrigailov restrained himself and answered very civilly:

"Yes, it was. I see that you, too, are extremely interested and shall feel it my duty to satisfy your curiosity at the first opportunity. Upon my soul! I see that I really might pass for a romantic figure with some people. Judge how grateful I must be to Marfa Petrovna for having repeated to Avdotya Romanovna such mysterious and interesting gossip about me. I dare not guess what impression it made on her, but in any case it worked in my interests. With all Avdotya Romanovna's natural aversion and in spite of my invariably gloomy and repellent aspect--she did at least feel pity for me, pity for a lost soul. And if once a girl's heart is moved to /pity/, it's more dangerous than anything. She is bound to want to 'save him,' to bring him to his senses, and lift him up and draw him to nobler aims, and restore him to new life and usefulness--well, we all know how far such dreams can go. I saw at once that the bird was flying into the cage of herself. And I too made ready. I think you are frowning, Rodion Romanovitch? There's no need. As you know, it all ended in smoke. (Hang it all, what a lot I am drinking!) Do you know, I always, from the very beginning, regretted that it wasn't your sister's fate to be born in the second or third century A.D., as the daughter of a reigning prince or some governor or pro-consul in Asia Minor. She would undoubtedly have been one of those who would endure martyrdom and would have smiled when they branded her bosom with hot pincers. And she would have gone to it of herself. And in the fourth or fifth century she would have walked away into the Egyptian desert and would have stayed there thirty years living on roots and ecstasies and visions. She is simply thirsting to face some torture for someone, and if she can't get her torture, she'll throw herself out of a window. I've heard something of a Mr. Razumihin--he's said to be a sensible fellow; his surname suggests it, indeed. He's probably a divinity student. Well, he'd better look after your sister! I believe I understand her, and I am proud of it. But at the beginning of an acquaintance, as you know, one is apt to be more heedless and stupid. One doesn't see clearly. Hang it all, why is she so handsome? It's not my fault. In fact, it began on my side with a most irresistible physical desire. Avdotya Romanovna is awfully chaste, incredibly and phenomenally so. Take note, I tell you this about your sister as a fact. She is almost morbidly chaste, in spite of her broad intelligence, and it will stand in her way. There happened to be a girl in the house then, Parasha, a black-eyed wench, whom I had never seen before--she had just come from another village--very pretty, but incredibly stupid: she burst into tears, wailed so that she could be heard all over the place and caused scandal. One day after dinner Avdotya Romanovna followed me into an avenue in the garden and with flashing eyes /insisted/ on my leaving poor Parasha alone. It was almost our first conversation by ourselves. I, of course, was only too pleased to obey her wishes, tried to appear disconcerted, embarrassed, in fact played my part not badly. Then came interviews, mysterious conversations, exhortations, entreaties, supplications, even tears--would you believe it, even tears? Think what the passion for propaganda will bring some girls to! I, of course, threw it all on my destiny, posed as hungering and thirsting for light, and finally resorted to the most powerful weapon in the subjection of the female heart, a weapon which never fails one. It's the well-known resource--flattery. Nothing in the world is harder than speaking the truth and nothing easier than flattery. If there's the hundredth part of a false note in speaking the truth, it leads to a discord, and that leads to trouble. But if all, to the last note, is false in flattery, it is just as agreeable, and is heard not without satisfaction. It may be a coarse satisfaction, but still a satisfaction. And however coarse the flattery, at least half will be sure to seem true. That's so for all stages of development and classes of society. A vestal virgin might be seduced by flattery. I can never remember without laughter how I once seduced a lady who was devoted to her husband, her children, and her principles. What fun it was and how little trouble! And the lady really had principles--of her own, anyway. All my tactics lay in simply being utterly annihilated and prostrate before her purity. I flattered her shamelessly, and as soon as I succeeded in getting a pressure of the hand, even a glance from her, I would reproach myself for having snatched it by force, and would declare that she had resisted, so that I could never have gained anything but for my being so unprincipled. I maintained that she was so innocent that she could not foresee my treachery, and yielded to me unconsciously, unawares, and so on. In fact, I triumphed, while my lady remained firmly convinced that she was innocent, chaste, and faithful to all her duties and obligations and had succumbed quite by accident. And how angry she was with me when I explained to her at last that it was my sincere conviction that she was just as eager as I. Poor Marfa Petrovna was awfully weak on the side of flattery, and if I had only cared to, I might have had all her property settled on me during her lifetime. (I am drinking an awful lot of wine now and talking too much.) I hope you won't be angry if I mention now that I was beginning to produce the same effect on Avdotya Romanovna. But I was stupid and impatient and spoiled it all. Avdotya Romanovna had several times--and one time in particular--been greatly displeased by the expression of my eyes, would you believe it? There was sometimes a light in them which frightened her and grew stronger and stronger and more unguarded till it was hateful to her. No need to go into detail, but we parted. There I acted stupidly again. I fell to jeering in the coarsest way at all such propaganda and efforts to convert me; Parasha came on to the scene again, and not she alone; in fact there was a tremendous to-do. Ah, Rodion Romanovitch, if you could only see how your sister's eyes can flash sometimes! Never mind my being drunk at this moment and having had a whole glass of wine. I am speaking the truth. I assure you that this glance has haunted my dreams; the very rustle of her dress was more than I could stand at last. I really began to think that I might become epileptic. I could never have believed that I could be moved to such a frenzy. It was essential, indeed, to be reconciled, but by then it was impossible. And imagine what I did then! To what a pitch of stupidity a man can be brought by frenzy! Never undertake anything in a frenzy, Rodion Romanovitch. I reflected that Avdotya Romanovna was after all a beggar (ach, excuse me, that's not the word . . . but does it matter if it expresses the meaning?), that she lived by her work, that she had her mother and you to keep (ach, hang it, you are frowning again), and I resolved to offer her all my money--thirty thousand roubles I could have realised then--if she would run away with me here, to Petersburg. Of course I should have vowed eternal love, rapture, and so on. Do you know, I was so wild about her at that time that if she had told me to poison Marfa Petrovna or to cut her throat and to marry herself, it would have been done at once! But it ended in the catastrophe of which you know already. You can fancy how frantic I was when I heard that Marfa Petrovna had got hold of that scoundrelly attorney, Luzhin, and had almost made a match between them--which would really have been just the same thing as I was proposing. Wouldn't it? Wouldn't it? I notice that you've begun to be very attentive . . . you interesting young man. . . ."

Svidrigailov struck the table with his fist impatiently. He was flushed. Raskolnikov saw clearly that the glass or glass and a half of champagne that he had sipped almost unconsciously was affecting him-- and he resolved to take advantage of the opportunity. He felt very suspicious of Svidrigailov.

"Well, after what you have said, I am fully convinced that you have come to Petersburg with designs on my sister," he said directly to Svidrigailov, in order to irritate him further.

"Oh, nonsense," said Svidrigailov, seeming to rouse himself. "Why, I told you . . . besides your sister can't endure me."

"Yes, I am certain that she can't, but that's not the point."

"Are you so sure that she can't?" Svidrigailov screwed up his eyes and smiled mockingly. "You are right, she doesn't love me, but you can never be sure of what has passed between husband and wife or lover and mistress. There's always a little corner which remains a secret to the world and is only known to those two. Will you answer for it that Avdotya Romanovna regarded me with aversion?"

"From some words you've dropped, I notice that you still have designs --and of course evil ones--on Dounia and mean to carry them out promptly."

"What, have I dropped words like that?" Svidrigailov asked in naive dismay, taking not the slightest notice of the epithet bestowed on his designs.

"Why, you are dropping them even now. Why are you so frightened? What are you so afraid of now?"

"Me--afraid? Afraid of you? You have rather to be afraid of me, /cher ami/. But what nonsense. . . . I've drunk too much though, I see that. I was almost saying too much again. Damn the wine! Hi! there, water!"

He snatched up the champagne bottle and flung it without ceremony out of the window. Philip brought the water.

"That's all nonsense!" said Svidrigailov, wetting a towel and putting it to his head. "But I can answer you in one word and annihilate all your suspicions. Do you know that I am going to get married?"

"You told me so before."

"Did I? I've forgotten. But I couldn't have told you so for certain for I had not even seen my betrothed; I only meant to. But now I really have a betrothed and it's a settled thing, and if it weren't that I have business that can't be put off, I would have taken you to see them at once, for I should like to ask your advice. Ach, hang it, only ten minutes left! See, look at the watch. But I must tell you, for it's an interesting story, my marriage, in its own way. Where are you off to? Going again?"

"No, I'm not going away now."

"Not at all? We shall see. I'll take you there, I'll show you my betrothed, only not now. For you'll soon have to be off. You have to go to the right and I to the left. Do you know that Madame Resslich, the woman I am lodging with now, eh? I know what you're thinking, that she's the woman whose girl they say drowned herself in the winter. Come, are you listening? She arranged it all for me. You're bored, she said, you want something to fill up your time. For, you know, I am a gloomy, depressed person. Do you think I'm light-hearted? No, I'm gloomy. I do no harm, but sit in a corner without speaking a word for three days at a time. And that Resslich is a sly hussy, I tell you. I know what she has got in her mind; she thinks I shall get sick of it, abandon my wife and depart, and she'll get hold of her and make a profit out of her--in our class, of course, or higher. She told me the father was a broken-down retired official, who has been sitting in a chair for the last three years with his legs paralysed. The mamma, she said, was a sensible woman. There is a son serving in the provinces, but he doesn't help; there is a daughter, who is married, but she doesn't visit them. And they've two little nephews on their hands, as though their own children were not enough, and they've taken from school their youngest daughter, a girl who'll be sixteen in another month, so that then she can be married. She was for me. We went there. How funny it was! I present myself--a landowner, a widower, of a well- known name, with connections, with a fortune. What if I am fifty and she is not sixteen? Who thinks of that? But it's fascinating, isn't it? It is fascinating, ha-ha! You should have seen how I talked to the papa and mamma. It was worth paying to have seen me at that moment. She comes in, curtseys, you can fancy, still in a short frock--an unopened bud! Flushing like a sunset--she had been told, no doubt. I don't know how you feel about female faces, but to my mind these sixteen years, these childish eyes, shyness and tears of bashfulness are better than beauty; and she is a perfect little picture, too. Fair hair in little curls, like a lamb's, full little rosy lips, tiny feet, a charmer! . . . Well, we made friends. I told them I was in a hurry owing to domestic circumstances, and the next day, that is the day before yesterday, we were betrothed. When I go now I take her on my knee at once and keep her there. . . . Well, she flushes like a sunset and I kiss her every minute. Her mamma of course impresses on her that this is her husband and that this must be so. It's simply delicious! The present betrothed condition is perhaps better than marriage. Here you have what is called /la nature et la verite/, ha-ha! I've talked to her twice, she is far from a fool. Sometimes she steals a look at me that positively scorches me. Her face is like Raphael's Madonna. You know, the Sistine Madonna's face has something fantastic in it, the face of mournful religious ecstasy. Haven't you noticed it? Well, she's something in that line. The day after we'd been betrothed, I bought her presents to the value of fifteen hundred roubles--a set of diamonds and another of pearls and a silver dressing-case as large as this, with all sorts of things in it, so that even my Madonna's face glowed. I sat her on my knee, yesterday, and I suppose rather too unceremoniously--she flushed crimson and the tears started, but she didn't want to show it. We were left alone, she suddenly flung herself on my neck (for the first time of her own accord), put her little arms round me, kissed me, and vowed that she would be an obedient, faithful, and good wife, would make me happy, would devote all her life, every minute of her life, would sacrifice everything, everything, and that all she asks in return is my /respect/, and that she wants 'nothing, nothing more from me, no presents.' You'll admit that to hear such a confession, alone, from an angel of sixteen in a muslin frock, with little curls, with a flush of maiden shyness in her cheeks and tears of enthusiasm in her eyes is rather fascinating! Isn't it fascinating? It's worth paying for, isn't it? Well . . . listen, we'll go to see my betrothed, only not just now!"

"The fact is this monstrous difference in age and development excites your sensuality! Will you really make such a marriage?"

"Why, of course. Everyone thinks of himself, and he lives most gaily who knows best how to deceive himself. Ha-ha! But why are you so keen about virtue? Have mercy on me, my good friend. I am a sinful man. Ha- ha-ha!"

"But you have provided for the children of Katerina Ivanovna. Though

. . . though you had your own reasons. . . . I understand it all now."

"I am always fond of children, very fond of them," laughed Svidrigailov. "I can tell you one curious instance of it. The first day I came here I visited various haunts, after seven years I simply rushed at them. You probably notice that I am not in a hurry to renew acquaintance with my old friends. I shall do without them as long as I can. Do you know, when I was with Marfa Petrovna in the country, I was haunted by the thought of these places where anyone who knows his way about can find a great deal. Yes, upon my soul! The peasants have vodka, the educated young people, shut out from activity, waste themselves in impossible dreams and visions and are crippled by theories; Jews have sprung up and are amassing money, and all the rest give themselves up to debauchery. From the first hour the town reeked of its familiar odours. I chanced to be in a frightful den--I like my dens dirty--it was a dance, so called, and there was a /cancan/ such as I never saw in my day. Yes, there you have progress. All of a sudden I saw a little girl of thirteen, nicely dressed, dancing with a specialist in that line, with another one /vis-a-vis/. Her mother was sitting on a chair by the wall. You can't fancy what a /cancan/ that was! The girl was ashamed, blushed, at last felt insulted, and began to cry. Her partner seized her and began whirling her round and performing before her; everyone laughed and--I like your public, even the /cancan/ public--they laughed and shouted, 'Serves her right-- serves her right! Shouldn't bring children!' Well, it's not my business whether that consoling reflection was logical or not. I at once fixed on my plan, sat down by the mother, and began by saying that I too was a stranger and that people here were ill-bred and that they couldn't distinguish decent folks and treat them with respect, gave her to understand that I had plenty of money, offered to take them home in my carriage. I took them home and got to know them. They were lodging in a miserable little hole and had only just arrived from the country. She told me that she and her daughter could only regard my acquaintance as an honour. I found out that they had nothing of their own and had come to town upon some legal business. I proffered my services and money. I learnt that they had gone to the dancing saloon by mistake, believing that it was a genuine dancing class. I offered to assist in the young girl's education in French and dancing. My offer was accepted with enthusiasm as an honour--and we are still friendly. . . . If you like, we'll go and see them, only not just now."

"Stop! Enough of your vile, nasty anecdotes, depraved vile, sensual man!"

"Schiller, you are a regular Schiller! /O la vertu va-t-elle se nicher?/ But you know I shall tell you these things on purpose, for the pleasure of hearing your outcries!"

"I dare say. I can see I am ridiculous myself," muttered Raskolnikov angrily.

Svidrigailov laughed heartily; finally he called Philip, paid his bill, and began getting up.

"I say, but I am drunk, /assez cause/," he said. "It's been a pleasure."

"I should rather think it must be a pleasure!" cried Raskolnikov, getting up. "No doubt it is a pleasure for a worn-out profligate to describe such adventures with a monstrous project of the same sort in his mind--especially under such circumstances and to such a man as me.

. . . It's stimulating!"

"Well, if you come to that," Svidrigailov answered, scrutinising Raskolnikov with some surprise, "if you come to that, you are a thorough cynic yourself. You've plenty to make you so, anyway. You can understand a great deal . . . and you can do a great deal too. But enough. I sincerely regret not having had more talk with you, but I shan't lose sight of you. . . . Only wait a bit."

Svidrigailov walked out of the restaurant. Raskolnikov walked out after him. Svidrigailov was not however very drunk, the wine had affected him for a moment, but it was passing off every minute. He was preoccupied with something of importance and was frowning. He was apparently excited and uneasy in anticipation of something. His manner to Raskolnikov had changed during the last few minutes, and he was ruder and more sneering every moment. Raskolnikov noticed all this, and he too was uneasy. He became very suspicious of Svidrigailov and resolved to follow him.

They came out on to the pavement.

"You go to the right, and I to the left, or if you like, the other way. Only /adieu, mon plaisir/, may we meet again."

And he walked to the right towards the Hay Market.

Part VI: Chapter V

Raskolnikov walked after him.

"What's this?" cried Svidrigailov turning round, "I thought I said . . ."

"It means that I am not going to lose sight of you now."

"What?"

Both stood still and gazed at one another, as though measuring their strength.

"From all your half tipsy stories," Raskolnikov observed harshly, "I am /positive/ that you have not given up your designs on my sister, but are pursuing them more actively than ever. I have learnt that my sister received a letter this morning. You have hardly been able to sit still all this time. . . . You may have unearthed a wife on the way, but that means nothing. I should like to make certain myself."

Raskolnikov could hardly have said himself what he wanted and of what he wished to make certain.

"Upon my word! I'll call the police!"

"Call away!"

Again they stood for a minute facing each other. At last Svidrigailov's face changed. Having satisfied himself that Raskolnikov was not frightened at his threat, he assumed a mirthful and friendly air.

"What a fellow! I purposely refrained from referring to your affair, though I am devoured by curiosity. It's a fantastic affair. I've put it off till another time, but you're enough to rouse the dead. . . . Well, let us go, only I warn you beforehand I am only going home for a moment, to get some money; then I shall lock up the flat, take a cab and go to spend the evening at the Islands. Now, now are you going to follow me?"

"I'm coming to your lodgings, not to see you but Sofya Semyonovna, to say I'm sorry not to have been at the funeral."

"That's as you like, but Sofya Semyonovna is not at home. She has taken the three children to an old lady of high rank, the patroness of some orphan asylums, whom I used to know years ago. I charmed the old lady by depositing a sum of money with her to provide for the three children of Katerina Ivanovna and subscribing to the institution as well. I told her too the story of Sofya Semyonovna in full detail, suppressing nothing. It produced an indescribable effect on her. That's why Sofya Semyonovna has been invited to call to-day at the X. Hotel where the lady is staying for the time."

"No matter, I'll come all the same."

"As you like, it's nothing to me, but I won't come with you; here we are at home. By the way, I am convinced that you regard me with suspicion just because I have shown such delicacy and have not so far troubled you with questions . . . you understand? It struck you as extraordinary; I don't mind betting it's that. Well, it teaches one to show delicacy!"

"And to listen at doors!"

"Ah, that's it, is it?" laughed Svidrigailov. "Yes, I should have been surprised if you had let that pass after all that has happened. Ha-ha! Though I did understand something of the pranks you had been up to and were telling Sofya Semyonovna about, what was the meaning of it? Perhaps I am quite behind the times and can't understand. For goodness' sake, explain it, my dear boy. Expound the latest theories!"

"You couldn't have heard anything. You're making it all up!"

"But I'm not talking about that (though I did hear something). No, I'm talking of the way you keep sighing and groaning now. The Schiller in you is in revolt every moment, and now you tell me not to listen at doors. If that's how you feel, go and inform the police that you had this mischance: you made a little mistake in your theory. But if you are convinced that one mustn't listen at doors, but one may murder old women at one's pleasure, you'd better be off to America and make haste. Run, young man! There may still be time. I'm speaking sincerely. Haven't you the money? I'll give you the fare."

"I'm not thinking of that at all," Raskolnikov interrupted with disgust.

"I understand (but don't put yourself out, don't discuss it if you don't want to). I understand the questions you are worrying over-- moral ones, aren't they? Duties of citizen and man? Lay them all aside. They are nothing to you now, ha-ha! You'll say you are still a man and a citizen. If so you ought not to have got into this coil. It's no use taking up a job you are not fit for. Well, you'd better shoot yourself, or don't you want to?"

"You seem trying to enrage me, to make me leave you."

"What a queer fellow! But here we are. Welcome to the staircase. You see, that's the way to Sofya Semyonovna. Look, there is no one at home. Don't you believe me? Ask Kapernaumov. She leaves the key with him. Here is Madame de Kapernaumov herself. Hey, what? She is rather deaf. Has she gone out? Where? Did you hear? She is not in and won't be till late in the evening probably. Well, come to my room; you wanted to come and see me, didn't you? Here we are. Madame Resslich's not at home. She is a woman who is always busy, an excellent woman I assure you. . . . She might have been of use to you if you had been a little more sensible. Now, see! I take this five-per-cent bond out of the bureau--see what a lot I've got of them still--this one will be turned into cash to-day. I mustn't waste any more time. The bureau is locked, the flat is locked, and here we are again on the stairs. Shall we take a cab? I'm going to the Islands. Would you like a lift? I'll take this carriage. Ah, you refuse? You are tired of it! Come for a drive! I believe it will come on to rain. Never mind, we'll put down the hood. . . ."

Svidrigailov was already in the carriage. Raskolnikov decided that his suspicions were at least for that moment unjust. Without answering a word he turned and walked back towards the Hay Market. If he had only turned round on his way he might have seen Svidrigailov get out not a hundred paces off, dismiss the cab and walk along the pavement. But he had turned the corner and could see nothing. Intense disgust drew him away from Svidrigailov.

"To think that I could for one instant have looked for help from that coarse brute, that depraved sensualist and blackguard!" he cried.

Raskolnikov's judgment was uttered too lightly and hastily: there was something about Svidrigailov which gave him a certain original, even a mysterious character. As concerned his sister, Raskolnikov was convinced that Svidrigailov would not leave her in peace. But it was too tiresome and unbearable to go on thinking and thinking about this.

When he was alone, he had not gone twenty paces before he sank, as usual, into deep thought. On the bridge he stood by the railing and began gazing at the water. And his sister was standing close by him.

He met her at the entrance to the bridge, but passed by without seeing her. Dounia had never met him like this in the street before and was struck with dismay. She stood still and did not know whether to call to him or not. Suddenly she saw Svidrigailov coming quickly from the direction of the Hay Market.

He seemed to be approaching cautiously. He did not go on to the bridge, but stood aside on the pavement, doing all he could to avoid Raskolnikov's seeing him. He had observed Dounia for some time and had been making signs to her. She fancied he was signalling to beg her not to speak to her brother, but to come to him.

That was what Dounia did. She stole by her brother and went up to Svidrigailov.

"Let us make haste away," Svidrigailov whispered to her, "I don't want Rodion Romanovitch to know of our meeting. I must tell you I've been sitting with him in the restaurant close by, where he looked me up and I had great difficulty in getting rid of him. He has somehow heard of my letter to you and suspects something. It wasn't you who told him, of course, but if not you, who then?"

"Well, we've turned the corner now," Dounia interrupted, "and my brother won't see us. I have to tell you that I am going no further with you. Speak to me here. You can tell it all in the street."

"In the first place, I can't say it in the street; secondly, you must hear Sofya Semyonovna too; and, thirdly, I will show you some papers.

. . . Oh well, if you won't agree to come with me, I shall refuse to give any explanation and go away at once. But I beg you not to forget that a very curious secret of your beloved brother's is entirely in my keeping."

Dounia stood still, hesitating, and looked at Svidrigailov with searching eyes.

"What are you afraid of?" he observed quietly. "The town is not the country. And even in the country you did me more harm than I did you."

"Have you prepared Sofya Semyonovna?"

"No, I have not said a word to her and am not quite certain whether she is at home now. But most likely she is. She has buried her stepmother to-day: she is not likely to go visiting on such a day. For the time I don't want to speak to anyone about it and I half regret having spoken to you. The slightest indiscretion is as bad as betrayal in a thing like this. I live there in that house, we are coming to it. That's the porter of our house--he knows me very well; you see, he's bowing; he sees I'm coming with a lady and no doubt he has noticed your face already and you will be glad of that if you are afraid of me and suspicious. Excuse my putting things so coarsely. I haven't a flat to myself; Sofya Semyonovna's room is next to mine--she lodges in the next flat. The whole floor is let out in lodgings. Why are you frightened like a child? Am I really so terrible?"

Svidrigailov's lips were twisted in a condescending smile; but he was in no smiling mood. His heart was throbbing and he could scarcely breathe. He spoke rather loud to cover his growing excitement. But Dounia did not notice this peculiar excitement, she was so irritated by his remark that she was frightened of him like a child and that he was so terrible to her.

"Though I know that you are not a man . . . of honour, I am not in the least afraid of you. Lead the way," she said with apparent composure, but her face was very pale.

Svidrigailov stopped at Sonia's room.

"Allow me to inquire whether she is at home. . . . She is not. How unfortunate! But I know she may come quite soon. If she's gone out, it can only be to see a lady about the orphans. Their mother is dead.

. . . I've been meddling and making arrangements for them. If Sofya Semyonovna does not come back in ten minutes, I will send her to you, to-day if you like. This is my flat. These are my two rooms. Madame Resslich, my landlady, has the next room. Now, look this way. I will show you my chief piece of evidence: this door from my bedroom leads into two perfectly empty rooms, which are to let. Here they are . . . You must look into them with some attention."

Svidrigailov occupied two fairly large furnished rooms. Dounia was looking about her mistrustfully, but saw nothing special in the furniture or position of the rooms. Yet there was something to observe, for instance, that Svidrigailov's flat was exactly between two sets of almost uninhabited apartments. His rooms were not entered directly from the passage, but through the landlady's two almost empty rooms. Unlocking a door leading out of his bedroom, Svidrigailov showed Dounia the two empty rooms that were to let. Dounia stopped in the doorway, not knowing what she was called to look upon, but Svidrigailov hastened to explain.

"Look here, at this second large room. Notice that door, it's locked. By the door stands a chair, the only one in the two rooms. I brought it from my rooms so as to listen more conveniently. Just the other side of the door is Sofya Semyonovna's table; she sat there talking to Rodion Romanovitch. And I sat here listening on two successive evenings, for two hours each time--and of course I was able to learn something, what do you think?"

"You listened?"

"Yes, I did. Now come back to my room; we can't sit down here."

He brought Avdotya Romanovna back into his sitting-room and offered her a chair. He sat down at the opposite side of the table, at least seven feet from her, but probably there was the same glow in his eyes which had once frightened Dounia so much. She shuddered and once more looked about her distrustfully. It was an involuntary gesture; she evidently did not wish to betray her uneasiness. But the secluded position of Svidrigailov's lodging had suddenly struck her. She wanted to ask whether his landlady at least were at home, but pride kept her from asking. Moreover, she had another trouble in her heart incomparably greater than fear for herself. She was in great distress.

"Here is your letter," she said, laying it on the table. "Can it be true what you write? You hint at a crime committed, you say, by my brother. You hint at it too clearly; you daren't deny it now. I must tell you that I'd heard of this stupid story before you wrote and don't believe a word of it. It's a disgusting and ridiculous suspicion. I know the story and why and how it was invented. You can have no proofs. You promised to prove it. Speak! But let me warn you that I don't believe you! I don't believe you!"

Dounia said this, speaking hurriedly, and for an instant the colour rushed to her face.

"If you didn't believe it, how could you risk coming alone to my rooms? Why have you come? Simply from curiosity?"

"Don't torment me. Speak, speak!"

"There's no denying that you are a brave girl. Upon my word, I thought you would have asked Mr. Razumihin to escort you here. But he was not with you nor anywhere near. I was on the look-out. It's spirited of you, it proves you wanted to spare Rodion Romanovitch. But everything is divine in you. . . . About your brother, what am I to say to you? You've just seen him yourself. What did you think of him?"

"Surely that's not the only thing you are building on?"

"No, not on that, but on his own words. He came here on two successive evenings to see Sofya Semyonovna. I've shown you where they sat. He made a full confession to her. He is a murderer. He killed an old woman, a pawnbroker, with whom he had pawned things himself. He killed her sister too, a pedlar woman called Lizaveta, who happened to come in while he was murdering her sister. He killed them with an axe he brought with him. He murdered them to rob them and he did rob them. He took money and various things. . . . He told all this, word for word, to Sofya Semyonovna, the only person who knows his secret. But she has had no share by word or deed in the murder; she was as horrified at it as you are now. Don't be anxious, she won't betray him."

"It cannot be," muttered Dounia, with white lips. She gasped for breath. "It cannot be. There was not the slightest cause, no sort of ground. . . . It's a lie, a lie!"

"He robbed her, that was the cause, he took money and things. It's true that by his own admission he made no use of the money or things, but hid them under a stone, where they are now. But that was because he dared not make use of them."

"But how could he steal, rob? How could he dream of it?" cried Dounia, and she jumped up from the chair. "Why, you know him, and you've seen him, can he be a thief?"

She seemed to be imploring Svidrigailov; she had entirely forgotten her fear.

"There are thousands and millions of combinations and possibilities, Avdotya Romanovna. A thief steals and knows he is a scoundrel, but I've heard of a gentleman who broke open the mail. Who knows, very likely he thought he was doing a gentlemanly thing! Of course I should not have believed it myself if I'd been told of it as you have, but I believe my own ears. He explained all the causes of it to Sofya Semyonovna too, but she did not believe her ears at first, yet she believed her own eyes at last."

"What . . . were the causes?"

"It's a long story, Avdotya Romanovna. Here's . . . how shall I tell you?--A theory of a sort, the same one by which I for instance consider that a single misdeed is permissible if the principal aim is right, a solitary wrongdoing and hundreds of good deeds! It's galling too, of course, for a young man of gifts and overweening pride to know that if he had, for instance, a paltry three thousand, his whole career, his whole future would be differently shaped and yet not to have that three thousand. Add to that, nervous irritability from hunger, from lodging in a hole, from rags, from a vivid sense of the charm of his social position and his sister's and mother's position too. Above all, vanity, pride and vanity, though goodness knows he may have good qualities too. . . . I am not blaming him, please don't think it; besides, it's not my business. A special little theory came in too--a theory of a sort--dividing mankind, you see, into material and superior persons, that is persons to whom the law does not apply owing to their superiority, who make laws for the rest of mankind, the material, that is. It's all right as a theory, /une theorie comme une autre/. Napoleon attracted him tremendously, that is, what affected him was that a great many men of genius have not hesitated at wrongdoing, but have overstepped the law without thinking about it. He seems to have fancied that he was a genius too--that is, he was convinced of it for a time. He has suffered a great deal and is still suffering from the idea that he could make a theory, but was incapable of boldly overstepping the law, and so he is not a man of genius. And that's humiliating for a young man of any pride, in our day especially. . . ."

"But remorse? You deny him any moral feeling then? Is he like that?"

"Ah, Avdotya Romanovna, everything is in a muddle now; not that it was ever in very good order. Russians in general are broad in their ideas, Avdotya Romanovna, broad like their land and exceedingly disposed to the fantastic, the chaotic. But it's a misfortune to be broad without a special genius. Do you remember what a lot of talk we had together on this subject, sitting in the evenings on the terrace after supper? Why, you used to reproach me with breadth! Who knows, perhaps we were talking at the very time when he was lying here thinking over his plan. There are no sacred traditions amongst us, especially in the educated class, Avdotya Romanovna. At the best someone will make them up somehow for himself out of books or from some old chronicle. But those are for the most part the learned and all old fogeys, so that it would be almost ill-bred in a man of society. You know my opinions in general, though. I never blame anyone. I do nothing at all, I persevere in that. But we've talked of this more than once before. I was so happy indeed as to interest you in my opinions. . . . You are very pale, Avdotya Romanovna."

"I know his theory. I read that article of his about men to whom all is permitted. Razumihin brought it to me."

"Mr. Razumihin? Your brother's article? In a magazine? Is there such an article? I didn't know. It must be interesting. But where are you going, Avdotya Romanovna?"

"I want to see Sofya Semyonovna," Dounia articulated faintly. "How do I go to her? She has come in, perhaps. I must see her at once. Perhaps she . . ."

Avdotya Romanovna could not finish. Her breath literally failed her.

"Sofya Semyonovna will not be back till night, at least I believe not. She was to have been back at once, but if not, then she will not be in till quite late."

"Ah, then you are lying! I see . . . you were lying . . . lying all the time. . . . I don't believe you! I don't believe you!" cried Dounia, completely losing her head.

Almost fainting, she sank on to a chair which Svidrigailov made haste to give her.

"Avdotya Romanovna, what is it? Control yourself! Here is some water. Drink a little. . . ."

He sprinkled some water over her. Dounia shuddered and came to herself.

"It has acted violently," Svidrigailov muttered to himself, frowning. "Avdotya Romanovna, calm yourself! Believe me, he has friends. We will save him. Would you like me to take him abroad? I have money, I can get a ticket in three days. And as for the murder, he will do all sorts of good deeds yet, to atone for it. Calm yourself. He may become a great man yet. Well, how are you? How do you feel?"

"Cruel man! To be able to jeer at it! Let me go . . ."

"Where are you going?"

"To him. Where is he? Do you know? Why is this door locked? We came in at that door and now it is locked. When did you manage to lock it?"

"We couldn't be shouting all over the flat on such a subject. I am far from jeering; it's simply that I'm sick of talking like this. But how can you go in such a state? Do you want to betray him? You will drive him to fury, and he will give himself up. Let me tell you, he is already being watched; they are already on his track. You will simply be giving him away. Wait a little: I saw him and was talking to him just now. He can still be saved. Wait a bit, sit down; let us think it over together. I asked you to come in order to discuss it alone with you and to consider it thoroughly. But do sit down!"

"How can you save him? Can he really be saved?"

Dounia sat down. Svidrigailov sat down beside her.

"It all depends on you, on you, on you alone," he begin with glowing eyes, almost in a whisper and hardly able to utter the words for emotion.

Dounia drew back from him in alarm. He too was trembling all over.

"You . . . one word from you, and he is saved. I . . . I'll save him. I have money and friends. I'll send him away at once. I'll get a passport, two passports, one for him and one for me. I have friends

. . . capable people. . . . If you like, I'll take a passport for you

. . . for your mother. . . . What do you want with Razumihin? I love you too. . . . I love you beyond everything. . . . Let me kiss the hem of your dress, let me, let me. . . . The very rustle of it is too much for me. Tell me, 'do that,' and I'll do it. I'll do everything. I will do the impossible. What you believe, I will believe. I'll do anything --anything! Don't, don't look at me like that. Do you know that you are killing me? . . ."

He was almost beginning to rave. . . . Something seemed suddenly to go to his head. Dounia jumped up and rushed to the door.

"Open it! Open it!" she called, shaking the door. "Open it! Is there no one there?"

Svidrigailov got up and came to himself. His still trembling lips slowly broke into an angry mocking smile.

"There is no one at home," he said quietly and emphatically. "The landlady has gone out, and it's waste of time to shout like that. You are only exciting yourself uselessly."

"Where is the key? Open the door at once, at once, base man!"

"I have lost the key and cannot find it."

"This is an outrage," cried Dounia, turning pale as death. She rushed to the furthest corner, where she made haste to barricade herself with a little table.

She did not scream, but she fixed her eyes on her tormentor and watched every movement he made.

Svidrigailov remained standing at the other end of the room facing her. He was positively composed, at least in appearance, but his face was pale as before. The mocking smile did not leave his face.

"You spoke of outrage just now, Avdotya Romanovna. In that case you may be sure I've taken measures. Sofya Semyonovna is not at home. The Kapernaumovs are far away--there are five locked rooms between. I am at least twice as strong as you are and I have nothing to fear, besides. For you could not complain afterwards. You surely would not be willing actually to betray your brother? Besides, no one would believe you. How should a girl have come alone to visit a solitary man in his lodgings? So that even if you do sacrifice your brother, you could prove nothing. It is very difficult to prove an assault, Avdotya Romanovna."

"Scoundrel!" whispered Dounia indignantly.

"As you like, but observe I was only speaking by way of a general proposition. It's my personal conviction that you are perfectly right --violence is hateful. I only spoke to show you that you need have no remorse even if . . . you were willing to save your brother of your own accord, as I suggest to you. You would be simply submitting to circumstances, to violence, in fact, if we must use that word. Think about it. Your brother's and your mother's fate are in your hands. I will be your slave . . . all my life . . . I will wait here."

Svidrigailov sat down on the sofa about eight steps from Dounia. She had not the slightest doubt now of his unbending determination. Besides, she knew him. Suddenly she pulled out of her pocket a revolver, cocked it and laid it in her hand on the table. Svidrigailov jumped up.

"Aha! So that's it, is it?" he cried, surprised but smiling maliciously. "Well, that completely alters the aspect of affairs. You've made things wonderfully easier for me, Avdotya Romanovna. But where did you get the revolver? Was it Mr. Razumihin? Why, it's my revolver, an old friend! And how I've hunted for it! The shooting lessons I've given you in the country have not been thrown away."

"It's not your revolver, it belonged to Marfa Petrovna, whom you killed, wretch! There was nothing of yours in her house. I took it when I began to suspect what you were capable of. If you dare to advance one step, I swear I'll kill you." She was frantic.

"But your brother? I ask from curiosity," said Svidrigailov, still standing where he was.

"Inform, if you want to! Don't stir! Don't come nearer! I'll shoot! You poisoned your wife, I know; you are a murderer yourself!" She held the revolver ready.

"Are you so positive I poisoned Marfa Petrovna?"

"You did! You hinted it yourself; you talked to me of poison. . . . I know you went to get it . . . you had it in readiness. . . . It was your doing. . . . It must have been your doing. . . . Scoundrel!"

"Even if that were true, it would have been for your sake . . . you would have been the cause."

"You are lying! I hated you always, always. . . ."

"Oho, Avdotya Romanovna! You seem to have forgotten how you softened to me in the heat of propaganda. I saw it in your eyes. Do you remember that moonlight night, when the nightingale was singing?"

"That's a lie," there was a flash of fury in Dounia's eyes, "that's a lie and a libel!"

"A lie? Well, if you like, it's a lie. I made it up. Women ought not to be reminded of such things," he smiled. "I know you will shoot, you pretty wild creature. Well, shoot away!"

Dounia raised the revolver, and deadly pale, gazed at him, measuring the distance and awaiting the first movement on his part. Her lower lip was white and quivering and her big black eyes flashed like fire. He had never seen her so handsome. The fire glowing in her eyes at the moment she raised the revolver seemed to kindle him and there was a pang of anguish in his heart. He took a step forward and a shot rang out. The bullet grazed his hair and flew into the wall behind. He stood still and laughed softly.

"The wasp has stung me. She aimed straight at my head. What's this? Blood?" he pulled out his handkerchief to wipe the blood, which flowed in a thin stream down his right temple. The bullet seemed to have just grazed the skin.

Dounia lowered the revolver and looked at Svidrigailov not so much in terror as in a sort of wild amazement. She seemed not to understand what she was doing and what was going on.

"Well, you missed! Fire again, I'll wait," said Svidrigailov softly, still smiling, but gloomily. "If you go on like that, I shall have time to seize you before you cock again."

Dounia started, quickly cocked the pistol and again raised it.

"Let me be," she cried in despair. "I swear I'll shoot again. I . . . I'll kill you."

"Well . . . at three paces you can hardly help it. But if you don't

. . . then." His eyes flashed and he took two steps forward. Dounia shot again: it missed fire.

"You haven't loaded it properly. Never mind, you have another charge there. Get it ready, I'll wait."

He stood facing her, two paces away, waiting and gazing at her with wild determination, with feverishly passionate, stubborn, set eyes. Dounia saw that he would sooner die than let her go. "And . . . now, of course she would kill him, at two paces!" Suddenly she flung away the revolver.

"She's dropped it!" said Svidrigailov with surprise, and he drew a deep breath. A weight seemed to have rolled from his heart--perhaps not only the fear of death; indeed he may scarcely have felt it at that moment. It was the deliverance from another feeling, darker and more bitter, which he could not himself have defined.

He went to Dounia and gently put his arm round her waist. She did not resist, but, trembling like a leaf, looked at him with suppliant eyes. He tried to say something, but his lips moved without being able to utter a sound.

"Let me go," Dounia implored. Svidrigailov shuddered. Her voice now was quite different.

"Then you don't love me?" he asked softly. Dounia shook her head.

"And . . . and you can't? Never?" he whispered in despair.

"Never!"

There followed a moment of terrible, dumb struggle in the heart of Svidrigailov. He looked at her with an indescribable gaze. Suddenly he withdrew his arm, turned quickly to the window and stood facing it. Another moment passed.

"Here's the key."

He took it out of the left pocket of his coat and laid it on the table behind him, without turning or looking at Dounia.

"Take it! Make haste!"

He looked stubbornly out of the window. Dounia went up to the table to take the key.

"Make haste! Make haste!" repeated Svidrigailov, still without turning or moving. But there seemed a terrible significance in the tone of that "make haste."

Dounia understood it, snatched up the key, flew to the door, unlocked it quickly and rushed out of the room. A minute later, beside herself, she ran out on to the canal bank in the direction of X. Bridge.

Svidrigailov remained three minutes standing at the window. At last he slowly turned, looked about him and passed his hand over his forehead. A strange smile contorted his face, a pitiful, sad, weak smile, a smile of despair. The blood, which was already getting dry, smeared his hand. He looked angrily at it, then wetted a towel and washed his temple. The revolver which Dounia had flung away lay near the door and suddenly caught his eye. He picked it up and examined it. It was a little pocket three-barrel revolver of old-fashioned construction. There were still two charges and one capsule left in it. It could be fired again. He thought a little, put the revolver in his pocket, took his hat and went out.

Part VI: Chapter VI

He spent that evening till ten o'clock going from one low haunt to another. Katia too turned up and sang another gutter song, how a certain "villain and tyrant"

"began kissing Katia."

Svidrigailov treated Katia and the organ-grinder and some singers and the waiters and two little clerks. He was particularly drawn to these clerks by the fact that they both had crooked noses, one bent to the left and the other to the right. They took him finally to a pleasure garden, where he paid for their entrance. There was one lanky three- year-old pine-tree and three bushes in the garden, besides a "Vauxhall," which was in reality a drinking-bar where tea too was served, and there were a few green tables and chairs standing round it. A chorus of wretched singers and a drunken but exceedingly depressed German clown from Munich with a red nose entertained the public. The clerks quarrelled with some other clerks and a fight seemed imminent. Svidrigailov was chosen to decide the dispute. He listened to them for a quarter of an hour, but they shouted so loud that there was no possibility of understanding them. The only fact that seemed certain was that one of them had stolen something and had even succeeded in selling it on the spot to a Jew, but would not share the spoil with his companion. Finally it appeared that the stolen object was a teaspoon belonging to the Vauxhall. It was missed and the affair began to seem troublesome. Svidrigailov paid for the spoon, got up, and walked out of the garden. It was about six o'clock. He had not drunk a drop of wine all this time and had ordered tea more for the sake of appearances than anything.

It was a dark and stifling evening. Threatening storm-clouds came over the sky about ten o'clock. There was a clap of thunder, and the rain came down like a waterfall. The water fell not in drops, but beat on the earth in streams. There were flashes of lightning every minute and each flash lasted while one could count five.

Drenched to the skin, he went home, locked himself in, opened the bureau, took out all his money and tore up two or three papers. Then, putting the money in his pocket, he was about to change his clothes, but, looking out of the window and listening to the thunder and the rain, he gave up the idea, took up his hat and went out of the room without locking the door. He went straight to Sonia. She was at home.

She was not alone: the four Kapernaumov children were with her. She was giving them tea. She received Svidrigailov in respectful silence, looking wonderingly at his soaking clothes. The children all ran away at once in indescribable terror.

Svidrigailov sat down at the table and asked Sonia to sit beside him. She timidly prepared to listen.

"I may be going to America, Sofya Semyonovna," said Svidrigailov, "and as I am probably seeing you for the last time, I have come to make some arrangements. Well, did you see the lady to-day? I know what she said to you, you need not tell me." (Sonia made a movement and blushed.) "Those people have their own way of doing things. As to your sisters and your brother, they are really provided for and the money assigned to them I've put into safe keeping and have received acknowledgments. You had better take charge of the receipts, in case anything happens. Here, take them! Well now, that's settled. Here are three 5-per-cent bonds to the value of three thousand roubles. Take those for yourself, entirely for yourself, and let that be strictly between ourselves, so that no one knows of it, whatever you hear. You will need the money, for to go on living in the old way, Sofya Semyonovna, is bad, and besides there is no need for it now."

"I am so much indebted to you, and so are the children and my stepmother," said Sonia hurriedly, "and if I've said so little . . . please don't consider . . ."

"That's enough! that's enough!"

"But as for the money, Arkady Ivanovitch, I am very grateful to you, but I don't need it now. I can always earn my own living. Don't think me ungrateful. If you are so charitable, that money. . . ."

"It's for you, for you, Sofya Semyonovna, and please don't waste words over it. I haven't time for it. You will want it. Rodion Romanovitch has two alternatives: a bullet in the brain or Siberia." (Sonia looked wildly at him, and started.) "Don't be uneasy, I know all about it from himself and I am not a gossip; I won't tell anyone. It was good advice when you told him to give himself up and confess. It would be much better for him. Well, if it turns out to be Siberia, he will go and you will follow him. That's so, isn't it? And if so, you'll need money. You'll need it for him, do you understand? Giving it to you is the same as my giving it to him. Besides, you promised Amalia Ivanovna to pay what's owing. I heard you. How can you undertake such obligations so heedlessly, Sofya Semyonovna? It was Katerina Ivanovna's debt and not yours, so you ought not to have taken any notice of the German woman. You can't get through the world like that. If you are ever questioned about me--to-morrow or the day after you will be asked--don't say anything about my coming to see you now and don't show the money to anyone or say a word about it. Well, now good- bye." (He got up.) "My greetings to Rodion Romanovitch. By the way, you'd better put the money for the present in Mr. Razumihin's keeping. You know Mr. Razumihin? Of course you do. He's not a bad fellow. Take it to him to-morrow or . . . when the time comes. And till then, hide it carefully."

Sonia too jumped up from her chair and looked in dismay at Svidrigailov. She longed to speak, to ask a question, but for the first moments she did not dare and did not know how to begin.

"How can you . . . how can you be going now, in such rain?"

"Why, be starting for America, and be stopped by rain! Ha, ha! Good- bye, Sofya Semyonovna, my dear! Live and live long, you will be of use to others. By the way . . . tell Mr. Razumihin I send my greetings to him. Tell him Arkady Ivanovitch Svidrigailov sends his greetings. Be sure to."

He went out, leaving Sonia in a state of wondering anxiety and vague apprehension.

It appeared afterwards that on the same evening, at twenty past eleven, he made another very eccentric and unexpected visit. The rain still persisted. Drenched to the skin, he walked into the little flat where the parents of his betrothed lived, in Third Street in Vassilyevsky Island. He knocked some time before he was admitted, and his visit at first caused great perturbation; but Svidrigailov could be very fascinating when he liked, so that the first, and indeed very intelligent surmise of the sensible parents that Svidrigailov had probably had so much to drink that he did not know what he was doing vanished immediately. The decrepit father was wheeled in to see Svidrigailov by the tender and sensible mother, who as usual began the conversation with various irrelevant questions. She never asked a direct question, but began by smiling and rubbing her hands and then, if she were obliged to ascertain something--for instance, when Svidrigailov would like to have the wedding--she would begin by interested and almost eager questions about Paris and the court life there, and only by degrees brought the conversation round to Third Street. On other occasions this had of course been very impressive, but this time Arkady Ivanovitch seemed particularly impatient, and insisted on seeing his betrothed at once, though he had been informed, to begin with, that she had already gone to bed. The girl of course appeared.

Svidrigailov informed her at once that he was obliged by very important affairs to leave Petersburg for a time, and therefore brought her fifteen thousand roubles and begged her accept them as a present from him, as he had long been intending to make her this trifling present before their wedding. The logical connection of the present with his immediate departure and the absolute necessity of visiting them for that purpose in pouring rain at midnight was not made clear. But it all went off very well; even the inevitable ejaculations of wonder and regret, the inevitable questions were extraordinarily few and restrained. On the other hand, the gratitude expressed was most glowing and was reinforced by tears from the most sensible of mothers. Svidrigailov got up, laughed, kissed his betrothed, patted her cheek, declared he would soon come back, and noticing in her eyes, together with childish curiosity, a sort of earnest dumb inquiry, reflected and kissed her again, though he felt sincere anger inwardly at the thought that his present would be immediately locked up in the keeping of the most sensible of mothers. He went away, leaving them all in a state of extraordinary excitement, but the tender mamma, speaking quietly in a half whisper, settled some of the most important of their doubts, concluding that Svidrigailov was a great man, a man of great affairs and connections and of great wealth--there was no knowing what he had in his mind. He would start off on a journey and give away money just as the fancy took him, so that there was nothing surprising about it. Of course it was strange that he was wet through, but Englishmen, for instance, are even more eccentric, and all these people of high society didn't think of what was said of them and didn't stand on ceremony. Possibly, indeed, he came like that on purpose to show that he was not afraid of anyone. Above all, not a word should be said about it, for God knows what might come of it, and the money must be locked up, and it was most fortunate that Fedosya, the cook, had not left the kitchen. And above all not a word must be said to that old cat, Madame Resslich, and so on and so on. They sat up whispering till two o'clock, but the girl went to bed much earlier, amazed and rather sorrowful.

Svidrigailov meanwhile, exactly at midnight, crossed the bridge on the way back to the mainland. The rain had ceased and there was a roaring wind. He began shivering, and for one moment he gazed at the black waters of the Little Neva with a look of special interest, even inquiry. But he soon felt it very cold, standing by the water; he turned and went towards Y. Prospect. He walked along that endless street for a long time, almost half an hour, more than once stumbling in the dark on the wooden pavement, but continually looking for something on the right side of the street. He had noticed passing through this street lately that there was a hotel somewhere towards the end, built of wood, but fairly large, and its name he remembered was something like Adrianople. He was not mistaken: the hotel was so conspicuous in that God-forsaken place that he could not fail to see it even in the dark. It was a long, blackened wooden building, and in spite of the late hour there were lights in the windows and signs of life within. He went in and asked a ragged fellow who met him in the corridor for a room. The latter, scanning Svidrigailov, pulled himself together and led him at once to a close and tiny room in the distance, at the end of the corridor, under the stairs. There was no other, all were occupied. The ragged fellow looked inquiringly.

"Is there tea?" asked Svidrigailov.

"Yes, sir."

"What else is there?"

"Veal, vodka, savouries."

"Bring me tea and veal."

"And you want nothing else?" he asked with apparent surprise.

"Nothing, nothing."

The ragged man went away, completely disillusioned.

"It must be a nice place," thought Svidrigailov. "How was it I didn't know it? I expect I look as if I came from a cafe chantant and have had some adventure on the way. It would be interesting to know who stay here?"

He lighted the candle and looked at the room more carefully. It was a room so low-pitched that Svidrigailov could only just stand up in it; it had one window; the bed, which was very dirty, and the plain- stained chair and table almost filled it up. The walls looked as though they were made of planks, covered with shabby paper, so torn and dusty that the pattern was indistinguishable, though the general colour--yellow--could still be made out. One of the walls was cut short by the sloping ceiling, though the room was not an attic but just under the stairs.

Svidrigailov set down the candle, sat down on the bed and sank into thought. But a strange persistent murmur which sometimes rose to a shout in the next room attracted his attention. The murmur had not ceased from the moment he entered the room. He listened: someone was upbraiding and almost tearfully scolding, but he heard only one voice.

Svidrigailov got up, shaded the light with his hand and at once he saw light through a crack in the wall; he went up and peeped through. The room, which was somewhat larger than his, had two occupants. One of them, a very curly-headed man with a red inflamed face, was standing in the pose of an orator, without his coat, with his legs wide apart to preserve his balance, and smiting himself on the breast. He reproached the other with being a beggar, with having no standing whatever. He declared that he had taken the other out of the gutter and he could turn him out when he liked, and that only the finger of Providence sees it all. The object of his reproaches was sitting in a chair, and had the air of a man who wants dreadfully to sneeze, but can't. He sometimes turned sheepish and befogged eyes on the speaker, but obviously had not the slightest idea what he was talking about and scarcely heard it. A candle was burning down on the table; there were wine-glasses, a nearly empty bottle of vodka, bread and cucumber, and glasses with the dregs of stale tea. After gazing attentively at this, Svidrigailov turned away indifferently and sat down on the bed.

The ragged attendant, returning with the tea, could not resist asking him again whether he didn't want anything more, and again receiving a negative reply, finally withdrew. Svidrigailov made haste to drink a glass of tea to warm himself, but could not eat anything. He began to feel feverish. He took off his coat and, wrapping himself in the blanket, lay down on the bed. He was annoyed. "It would have been better to be well for the occasion," he thought with a smile. The room was close, the candle burnt dimly, the wind was roaring outside, he heard a mouse scratching in the corner and the room smelt of mice and of leather. He lay in a sort of reverie: one thought followed another. He felt a longing to fix his imagination on something. "It must be a garden under the window," he thought. "There's a sound of trees. How I dislike the sound of trees on a stormy night, in the dark! They give one a horrid feeling." He remembered how he had disliked it when he passed Petrovsky Park just now. This reminded him of the bridge over the Little Neva and he felt cold again as he had when standing there. "I never have liked water," he thought, "even in a landscape," and he suddenly smiled again at a strange idea: "Surely now all these questions of taste and comfort ought not to matter, but I've become more particular, like an animal that picks out a special place . . . for such an occasion. I ought to have gone into the Petrovsky Park! I suppose it seemed dark, cold, ha-ha! As though I were seeking pleasant sensations! . . . By the way, why haven't I put out the candle?" he blew it out. "They've gone to bed next door," he thought, not seeing the light at the crack. "Well, now, Marfa Petrovna, now is the time for you to turn up; it's dark, and the very time and place for you. But now you won't come!"

He suddenly recalled how, an hour before carrying out his design on Dounia, he had recommended Raskolnikov to trust her to Razumihin's keeping. "I suppose I really did say it, as Raskolnikov guessed, to tease myself. But what a rogue that Raskolnikov is! He's gone through a good deal. He may be a successful rogue in time when he's got over his nonsense. But now he's /too/ eager for life. These young men are contemptible on that point. But, hang the fellow! Let him please himself, it's nothing to do with me."

He could not get to sleep. By degrees Dounia's image rose before him, and a shudder ran over him. "No, I must give up all that now," he thought, rousing himself. "I must think of something else. It's queer and funny. I never had a great hatred for anyone, I never particularly desired to avenge myself even, and that's a bad sign, a bad sign, a bad sign. I never liked quarrelling either, and never lost my temper-- that's a bad sign too. And the promises I made her just now, too-- Damnation! But--who knows?--perhaps she would have made a new man of me somehow. . . ."

He ground his teeth and sank into silence again. Again Dounia's image rose before him, just as she was when, after shooting the first time, she had lowered the revolver in terror and gazed blankly at him, so that he might have seized her twice over and she would not have lifted a hand to defend herself if he had not reminded her. He recalled how at that instant he felt almost sorry for her, how he had felt a pang at his heart . . .

"Aie! Damnation, these thoughts again! I must put it away!"

He was dozing off; the feverish shiver had ceased, when suddenly something seemed to run over his arm and leg under the bedclothes. He started. "Ugh! hang it! I believe it's a mouse," he thought, "that's the veal I left on the table." He felt fearfully disinclined to pull off the blanket, get up, get cold, but all at once something unpleasant ran over his leg again. He pulled off the blanket and lighted the candle. Shaking with feverish chill he bent down to examine the bed: there was nothing. He shook the blanket and suddenly a mouse jumped out on the sheet. He tried to catch it, but the mouse ran to and fro in zigzags without leaving the bed, slipped between his fingers, ran over his hand and suddenly darted under the pillow. He threw down the pillow, but in one instant felt something leap on his chest and dart over his body and down his back under his shirt. He trembled nervously and woke up.

The room was dark. He was lying on the bed and wrapped up in the blanket as before. The wind was howling under the window. "How disgusting," he thought with annoyance.

He got up and sat on the edge of the bedstead with his back to the window. "It's better not to sleep at all," he decided. There was a cold damp draught from the window, however; without getting up he drew the blanket over him and wrapped himself in it. He was not thinking of anything and did not want to think. But one image rose after another, incoherent scraps of thought without beginning or end passed through his mind. He sank into drowsiness. Perhaps the cold, or the dampness, or the dark, or the wind that howled under the window and tossed the trees roused a sort of persistent craving for the fantastic. He kept dwelling on images of flowers, he fancied a charming flower garden, a bright, warm, almost hot day, a holiday--Trinity day. A fine, sumptuous country cottage in the English taste overgrown with fragrant flowers, with flower beds going round the house; the porch, wreathed in climbers, was surrounded with beds of roses. A light, cool staircase, carpeted with rich rugs, was decorated with rare plants in china pots. He noticed particularly in the windows nosegays of tender, white, heavily fragrant narcissus bending over their bright, green, thick long stalks. He was reluctant to move away from them, but he went up the stairs and came into a large, high drawing-room and again everywhere--at the windows, the doors on to the balcony, and on the balcony itself--were flowers. The floors were strewn with freshly-cut fragrant hay, the windows were open, a fresh, cool, light air came into the room. The birds were chirruping under the window, and in the middle of the room, on a table covered with a white satin shroud, stood a coffin. The coffin was covered with white silk and edged with a thick white frill; wreaths of flowers surrounded it on all sides. Among the flowers lay a girl in a white muslin dress, with her arms crossed and pressed on her bosom, as though carved out of marble. But her loose fair hair was wet; there was a wreath of roses on her head. The stern and already rigid profile of her face looked as though chiselled of marble too, and the smile on her pale lips was full of an immense unchildish misery and sorrowful appeal. Svidrigailov knew that girl; there was no holy image, no burning candle beside the coffin; no sound of prayers: the girl had drowned herself. She was only fourteen, but her heart was broken. And she had destroyed herself, crushed by an insult that had appalled and amazed that childish soul, had smirched that angel purity with unmerited disgrace and torn from her a last scream of despair, unheeded and brutally disregarded, on a dark night in the cold and wet while the wind howled. . . .

Svidrigailov came to himself, got up from the bed and went to the window. He felt for the latch and opened it. The wind lashed furiously into the little room and stung his face and his chest, only covered with his shirt, as though with frost. Under the window there must have been something like a garden, and apparently a pleasure garden. There, too, probably there were tea-tables and singing in the daytime. Now drops of rain flew in at the window from the trees and bushes; it was dark as in a cellar, so that he could only just make out some dark blurs of objects. Svidrigailov, bending down with elbows on the window-sill, gazed for five minutes into the darkness; the boom of a cannon, followed by a second one, resounded in the darkness of the night. "Ah, the signal! The river is overflowing," he thought. "By morning it will be swirling down the street in the lower parts, flooding the basements and cellars. The cellar rats will swim out, and men will curse in the rain and wind as they drag their rubbish to their upper storeys. What time is it now?" And he had hardly thought it when, somewhere near, a clock on the wall, ticking away hurriedly, struck three.

"Aha! It will be light in an hour! Why wait? I'll go out at once straight to the park. I'll choose a great bush there drenched with rain, so that as soon as one's shoulder touches it, millions of drops drip on one's head."

He moved away from the window, shut it, lighted the candle, put on his waistcoat, his overcoat and his hat and went out, carrying the candle, into the passage to look for the ragged attendant who would be asleep somewhere in the midst of candle-ends and all sorts of rubbish, to pay him for the room and leave the hotel. "It's the best minute; I couldn't choose a better."

He walked for some time through a long narrow corridor without finding anyone and was just going to call out, when suddenly in a dark corner between an old cupboard and the door he caught sight of a strange object which seemed to be alive. He bent down with the candle and saw a little girl, not more than five years old, shivering and crying, with her clothes as wet as a soaking house-flannel. She did not seem afraid of Svidrigailov, but looked at him with blank amazement out of her big black eyes. Now and then she sobbed as children do when they have been crying a long time, but are beginning to be comforted. The child's face was pale and tired, she was numb with cold. "How can she have come here? She must have hidden here and not slept all night." He began questioning her. The child suddenly becoming animated, chattered away in her baby language, something about "mammy" and that "mammy would beat her," and about some cup that she had "bwoken." The child chattered on without stopping. He could only guess from what she said that she was a neglected child, whose mother, probably a drunken cook, in the service of the hotel, whipped and frightened her; that the child had broken a cup of her mother's and was so frightened that she had run away the evening before, had hidden for a long while somewhere outside in the rain, at last had made her way in here, hidden behind the cupboard and spent the night there, crying and trembling from the damp, the darkness and the fear that she would be badly beaten for it. He took her in his arms, went back to his room, sat her on the bed, and began undressing her. The torn shoes which she had on her stockingless feet were as wet as if they had been standing in a puddle all night. When he had undressed her, he put her on the bed, covered her up and wrapped her in the blanket from her head downwards. She fell asleep at once. Then he sank into dreary musing again.

"What folly to trouble myself," he decided suddenly with an oppressive feeling of annoyance. "What idiocy!" In vexation he took up the candle to go and look for the ragged attendant again and make haste to go away. "Damn the child!" he thought as he opened the door, but he turned again to see whether the child was asleep. He raised the blanket carefully. The child was sleeping soundly, she had got warm under the blanket, and her pale cheeks were flushed. But strange to say that flush seemed brighter and coarser than the rosy cheeks of childhood. "It's a flush of fever," thought Svidrigailov. It was like the flush from drinking, as though she had been given a full glass to drink. Her crimson lips were hot and glowing; but what was this? He suddenly fancied that her long black eyelashes were quivering, as though the lids were opening and a sly crafty eye peeped out with an unchildlike wink, as though the little girl were not asleep, but pretending. Yes, it was so. Her lips parted in a smile. The corners of her mouth quivered, as though she were trying to control them. But now she quite gave up all effort, now it was a grin, a broad grin; there was something shameless, provocative in that quite unchildish face; it was depravity, it was the face of a harlot, the shameless face of a French harlot. Now both eyes opened wide; they turned a glowing, shameless glance upon him; they laughed, invited him. . . . There was something infinitely hideous and shocking in that laugh, in those eyes, in such nastiness in the face of a child. "What, at five years old?" Svidrigailov muttered in genuine horror. "What does it mean?" And now she turned to him, her little face all aglow, holding out her arms. . . . "Accursed child!" Svidrigailov cried, raising his hand to strike her, but at that moment he woke up.

He was in the same bed, still wrapped in the blanket. The candle had not been lighted, and daylight was streaming in at the windows.

"I've had nightmare all night!" He got up angrily, feeling utterly shattered; his bones ached. There was a thick mist outside and he could see nothing. It was nearly five. He had overslept himself! He got up, put on his still damp jacket and overcoat. Feeling the revolver in his pocket, he took it out and then he sat down, took a notebook out of his pocket and in the most conspicuous place on the title page wrote a few lines in large letters. Reading them over, he sank into thought with his elbows on the table. The revolver and the notebook lay beside him. Some flies woke up and settled on the untouched veal, which was still on the table. He stared at them and at last with his free right hand began trying to catch one. He tried till he was tired, but could not catch it. At last, realising that he was engaged in this interesting pursuit, he started, got up and walked resolutely out of the room. A minute later he was in the street.

A thick milky mist hung over the town. Svidrigailov walked along the slippery dirty wooden pavement towards the Little Neva. He was picturing the waters of the Little Neva swollen in the night, Petrovsky Island, the wet paths, the wet grass, the wet trees and bushes and at last the bush. . . . He began ill-humouredly staring at the houses, trying to think of something else. There was not a cabman or a passer-by in the street. The bright yellow, wooden, little houses looked dirty and dejected with their closed shutters. The cold and damp penetrated his whole body and he began to shiver. From time to time he came across shop signs and read each carefully. At last he reached the end of the wooden pavement and came to a big stone house. A dirty, shivering dog crossed his path with its tail between its legs. A man in a greatcoat lay face downwards; dead drunk, across the pavement. He looked at him and went on. A high tower stood up on the left. "Bah!" he shouted, "here is a place. Why should it be Petrovsky? It will be in the presence of an official witness anyway. . . ."

He almost smiled at this new thought and turned into the street where there was the big house with the tower. At the great closed gates of the house, a little man stood with his shoulder leaning against them, wrapped in a grey soldier's coat, with a copper Achilles helmet on his head. He cast a drowsy and indifferent glance at Svidrigailov. His face wore that perpetual look of peevish dejection, which is so sourly printed on all faces of Jewish race without exception. They both, Svidrigailov and Achilles, stared at each other for a few minutes without speaking. At last it struck Achilles as irregular for a man not drunk to be standing three steps from him, staring and not saying a word.

"What do you want here?" he said, without moving or changing his position.

"Nothing, brother, good morning," answered Svidrigailov.

"This isn't the place."

"I am going to foreign parts, brother."

"To foreign parts?"

"To America."

"America."

Svidrigailov took out the revolver and cocked it. Achilles raised his eyebrows.

"I say, this is not the place for such jokes!"

"Why shouldn't it be the place?"

"Because it isn't."

"Well, brother, I don't mind that. It's a good place. When you are asked, you just say he was going, he said, to America."

He put the revolver to his right temple.

"You can't do it here, it's not the place," cried Achilles, rousing himself, his eyes growing bigger and bigger.

Svidrigailov pulled the trigger.

Part VI: Chapter VII

The same day, about seven o'clock in the evening, Raskolnikov was on his way to his mother's and sister's lodging--the lodging in Bakaleyev's house which Razumihin had found for them. The stairs went up from the street. Raskolnikov walked with lagging steps, as though still hesitating whether to go or not. But nothing would have turned him back: his decision was taken.

"Besides, it doesn't matter, they still know nothing," he thought, "and they are used to thinking of me as eccentric."

He was appallingly dressed: his clothes torn and dirty, soaked with a night's rain. His face was almost distorted from fatigue, exposure, the inward conflict that had lasted for twenty-four hours. He had spent all the previous night alone, God knows where. But anyway he had reached a decision.

He knocked at the door which was opened by his mother. Dounia was not at home. Even the servant happened to be out. At first Pulcheria Alexandrovna was speechless with joy and surprise; then she took him by the hand and drew him into the room.

"Here you are!" she began, faltering with joy. "Don't be angry with me, Rodya, for welcoming you so foolishly with tears: I am laughing not crying. Did you think I was crying? No, I am delighted, but I've got into such a stupid habit of shedding tears. I've been like that ever since your father's death. I cry for anything. Sit down, dear boy, you must be tired; I see you are. Ah, how muddy you are."

"I was in the rain yesterday, mother. . . ." Raskolnikov began.

"No, no," Pulcheria Alexandrovna hurriedly interrupted, "you thought I was going to cross-question you in the womanish way I used to; don't be anxious, I understand, I understand it all: now I've learned the ways here and truly I see for myself that they are better. I've made up my mind once for all: how could I understand your plans and expect you to give an account of them? God knows what concerns and plans you may have, or what ideas you are hatching; so it's not for me to keep nudging your elbow, asking you what you are thinking about? But, my goodness! why am I running to and fro as though I were crazy . . . ? I am reading your article in the magazine for the third time, Rodya. Dmitri Prokofitch brought it to me. Directly I saw it I cried out to myself: 'There, foolish one,' I thought, 'that's what he is busy about; that's the solution of the mystery! Learned people are always like that. He may have some new ideas in his head just now; he is thinking them over and I worry him and upset him.' I read it, my dear, and of course there was a great deal I did not understand; but that's only natural--how should I?"

"Show me, mother."

Raskolnikov took the magazine and glanced at his article. Incongruous as it was with his mood and his circumstances, he felt that strange and bitter sweet sensation that every author experiences the first time he sees himself in print; besides, he was only twenty-three. It lasted only a moment. After reading a few lines he frowned and his heart throbbed with anguish. He recalled all the inward conflict of the preceding months. He flung the article on the table with disgust and anger.

"But, however foolish I may be, Rodya, I can see for myself that you will very soon be one of the leading--if not the leading man--in the world of Russian thought. And they dared to think you were mad! You don't know, but they really thought that. Ah, the despicable creatures, how could they understand genius! And Dounia, Dounia was all but believing it--what do you say to that? Your father sent twice to magazines--the first time poems (I've got the manuscript and will show you) and the second time a whole novel (I begged him to let me copy it out) and how we prayed that they should be taken--they weren't! I was breaking my heart, Rodya, six or seven days ago over your food and your clothes and the way you are living. But now I see again how foolish I was, for you can attain any position you like by your intellect and talent. No doubt you don't care about that for the present and you are occupied with much more important matters. . . ."

"Dounia's not at home, mother?"

"No, Rodya. I often don't see her; she leaves me alone. Dmitri Prokofitch comes to see me, it's so good of him, and he always talks about you. He loves you and respects you, my dear. I don't say that Dounia is very wanting in consideration. I am not complaining. She has her ways and I have mine; she seems to have got some secrets of late and I never have any secrets from you two. Of course, I am sure that Dounia has far too much sense, and besides she loves you and me . . . but I don't know what it will all lead to. You've made me so happy by coming now, Rodya, but she has missed you by going out; when she comes in I'll tell her: 'Your brother came in while you were out. Where have you been all this time?' You mustn't spoil me, Rodya, you know; come when you can, but if you can't, it doesn't matter, I can wait. I shall know, anyway, that you are fond of me, that will be enough for me. I shall read what you write, I shall hear about you from everyone, and sometimes you'll come yourself to see me. What could be better? Here you've come now to comfort your mother, I see that."

Here Pulcheria Alexandrovna began to cry.

"Here I am again! Don't mind my foolishness. My goodness, why am I sitting here?" she cried, jumping up. "There is coffee and I don't offer you any. Ah, that's the selfishness of old age. I'll get it at once!"

"Mother, don't trouble, I am going at once. I haven't come for that. Please listen to me."

Pulcheria Alexandrovna went up to him timidly.

"Mother, whatever happens, whatever you hear about me, whatever you are told about me, will you always love me as you do now?" he asked suddenly from the fullness of his heart, as though not thinking of his words and not weighing them.

"Rodya, Rodya, what is the matter? How can you ask me such a question? Why, who will tell me anything about you? Besides, I shouldn't believe anyone, I should refuse to listen."

"I've come to assure you that I've always loved you and I am glad that we are alone, even glad Dounia is out," he went on with the same impulse. "I have come to tell you that though you will be unhappy, you must believe that your son loves you now more than himself, and that all you thought about me, that I was cruel and didn't care about you, was all a mistake. I shall never cease to love you. . . . Well, that's enough: I thought I must do this and begin with this. . . ."

Pulcheria Alexandrovna embraced him in silence, pressing him to her bosom and weeping gently.

"I don't know what is wrong with you, Rodya," she said at last. "I've been thinking all this time that we were simply boring you and now I see that there is a great sorrow in store for you, and that's why you are miserable. I've foreseen it a long time, Rodya. Forgive me for speaking about it. I keep thinking about it and lie awake at nights. Your sister lay talking in her sleep all last night, talking of nothing but you. I caught something, but I couldn't make it out. I felt all the morning as though I were going to be hanged, waiting for something, expecting something, and now it has come! Rodya, Rodya, where are you going? You are going away somewhere?"

"Yes."

"That's what I thought! I can come with you, you know, if you need me. And Dounia, too; she loves you, she loves you dearly--and Sofya Semyonovna may come with us if you like. You see, I am glad to look upon her as a daughter even . . . Dmitri Prokofitch will help us to go together. But . . . where . . . are you going?"

"Good-bye, mother."

"What, to-day?" she cried, as though losing him for ever.

"I can't stay, I must go now. . . ."

"And can't I come with you?"

"No, but kneel down and pray to God for me. Your prayer perhaps will reach Him."

"Let me bless you and sign you with the cross. That's right, that's right. Oh, God, what are we doing?"

Yes, he was glad, he was very glad that there was no one there, that he was alone with his mother. For the first time after all those awful months his heart was softened. He fell down before her, he kissed her feet and both wept, embracing. And she was not surprised and did not question him this time. For some days she had realised that something awful was happening to her son and that now some terrible minute had come for him.

"Rodya, my darling, my first born," she said sobbing, "now you are just as when you were little. You would run like this to me and hug me and kiss me. When your father was living and we were poor, you comforted us simply by being with us and when I buried your father, how often we wept together at his grave and embraced, as now. And if I've been crying lately, it's that my mother's heart had a foreboding of trouble. The first time I saw you, that evening, you remember, as soon as we arrived here, I guessed simply from your eyes. My heart sank at once, and to-day when I opened the door and looked at you, I thought the fatal hour had come. Rodya, Rodya, you are not going away to-day?"

"No!"

"You'll come again?"

"Yes . . . I'll come."

"Rodya, don't be angry, I don't dare to question you. I know I mustn't. Only say two words to me--is it far where you are going?"

"Very far."

"What is awaiting you there? Some post or career for you?"

"What God sends . . . only pray for me." Raskolnikov went to the door, but she clutched him and gazed despairingly into his eyes. Her face worked with terror.

"Enough, mother," said Raskolnikov, deeply regretting that he had come.

"Not for ever, it's not yet for ever? You'll come, you'll come to-morrow?"

"I will, I will, good-bye." He tore himself away at last.

It was a warm, fresh, bright evening; it had cleared up in the morning. Raskolnikov went to his lodgings; he made haste. He wanted to finish all before sunset. He did not want to meet anyone till then. Going up the stairs he noticed that Nastasya rushed from the samovar to watch him intently. "Can anyone have come to see me?" he wondered. He had a disgusted vision of Porfiry. But opening his door he saw Dounia. She was sitting alone, plunged in deep thought, and looked as though she had been waiting a long time. He stopped short in the doorway. She rose from the sofa in dismay and stood up facing him. Her eyes, fixed upon him, betrayed horror and infinite grief. And from those eyes alone he saw at once that she knew.

"Am I to come in or go away?" he asked uncertainly.

"I've been all day with Sofya Semyonovna. We were both waiting for you. We thought that you would be sure to come there."

Raskolnikov went into the room and sank exhausted on a chair.

"I feel weak, Dounia, I am very tired; and I should have liked at this moment to be able to control myself."

He glanced at her mistrustfully.

"Where were you all night?"

"I don't remember clearly. You see, sister, I wanted to make up my mind once for all, and several times I walked by the Neva, I remember that I wanted to end it all there, but . . . I couldn't make up my mind," he whispered, looking at her mistrustfully again.

"Thank God! That was just what we were afraid of, Sofya Semyonovna and I. Then you still have faith in life? Thank God, thank God!"

Raskolnikov smiled bitterly.

"I haven't faith, but I have just been weeping in mother's arms; I haven't faith, but I have just asked her to pray for me. I don't know how it is, Dounia, I don't understand it."

"Have you been at mother's? Have you told her?" cried Dounia, horror- stricken. "Surely you haven't done that?"

"No, I didn't tell her . . . in words; but she understood a great deal. She heard you talking in your sleep. I am sure she half understands it already. Perhaps I did wrong in going to see her. I don't know why I did go. I am a contemptible person, Dounia."

"A contemptible person, but ready to face suffering! You are, aren't you?"

"Yes, I am going. At once. Yes, to escape the disgrace I thought of drowning myself, Dounia, but as I looked into the water, I thought that if I had considered myself strong till now I'd better not be afraid of disgrace," he said, hurrying on. "It's pride, Dounia."

"Pride, Rodya."

There was a gleam of fire in his lustreless eyes; he seemed to be glad to think that he was still proud.

"You don't think, sister, that I was simply afraid of the water?" he asked, looking into her face with a sinister smile.

"Oh, Rodya, hush!" cried Dounia bitterly. Silence lasted for two minutes. He sat with his eyes fixed on the floor; Dounia stood at the other end of the table and looked at him with anguish. Suddenly he got up.

"It's late, it's time to go! I am going at once to give myself up. But I don't know why I am going to give myself up."

Big tears fell down her cheeks.

"You are crying, sister, but can you hold out your hand to me?"

"You doubted it?"

She threw her arms round him.

"Aren't you half expiating your crime by facing the suffering?" she cried, holding him close and kissing him.

"Crime? What crime?" he cried in sudden fury. "That I killed a vile noxious insect, an old pawnbroker woman, of use to no one! . . . Killing her was atonement for forty sins. She was sucking the life out of poor people. Was that a crime? I am not thinking of it and I am not thinking of expiating it, and why are you all rubbing it in on all sides? 'A crime! a crime!' Only now I see clearly the imbecility of my cowardice, now that I have decided to face this superfluous disgrace. It's simply because I am contemptible and have nothing in me that I have decided to, perhaps too for my advantage, as that . . . Porfiry

. . . suggested!"

"Brother, brother, what are you saying? Why, you have shed blood?" cried Dounia in despair.

"Which all men shed," he put in almost frantically, "which flows and has always flowed in streams, which is spilt like champagne, and for which men are crowned in the Capitol and are called afterwards benefactors of mankind. Look into it more carefully and understand it! I too wanted to do good to men and would have done hundreds, thousands of good deeds to make up for that one piece of stupidity, not stupidity even, simply clumsiness, for the idea was by no means so stupid as it seems now that it has failed. . . . (Everything seems stupid when it fails.) By that stupidity I only wanted to put myself into an independent position, to take the first step, to obtain means, and then everything would have been smoothed over by benefits immeasurable in comparison. . . . But I . . . I couldn't carry out even the first step, because I am contemptible, that's what's the matter! And yet I won't look at it as you do. If I had succeeded I should have been crowned with glory, but now I'm trapped."

"But that's not so, not so! Brother, what are you saying?"

"Ah, it's not picturesque, not aesthetically attractive! I fail to understand why bombarding people by regular siege is more honourable. The fear of appearances is the first symptom of impotence. I've never, never recognised this more clearly than now, and I am further than ever from seeing that what I did was a crime. I've never, never been stronger and more convinced than now."

The colour had rushed into his pale exhausted face, but as he uttered his last explanation, he happened to meet Dounia's eyes and he saw such anguish in them that he could not help being checked. He felt that he had, anyway, made these two poor women miserable, that he was, anyway, the cause . . .

"Dounia darling, if I am guilty forgive me (though I cannot be forgiven if I am guilty). Good-bye! We won't dispute. It's time, high time to go. Don't follow me, I beseech you, I have somewhere else to go. . . . But you go at once and sit with mother. I entreat you to! It's my last request of you. Don't leave her at all; I left her in a state of anxiety, that she is not fit to bear; she will die or go out of her mind. Be with her! Razumihin will be with you. I've been talking to him. . . . Don't cry about me: I'll try to be honest and manly all my life, even if I am a murderer. Perhaps I shall some day make a name. I won't disgrace you, you will see; I'll still show.

. . . Now good-bye for the present," he concluded hurriedly, noticing again a strange expression in Dounia's eyes at his last words and promises. "Why are you crying? Don't cry, don't cry: we are not parting for ever! Ah, yes! Wait a minute, I'd forgotten!"

He went to the table, took up a thick dusty book, opened it and took from between the pages a little water-colour portrait on ivory. It was the portrait of his landlady's daughter, who had died of fever, that strange girl who had wanted to be a nun. For a minute he gazed at the delicate expressive face of his betrothed, kissed the portrait and gave it to Dounia.

"I used to talk a great deal about it to her, only to her," he said thoughtfully. "To her heart I confided much of what has since been so hideously realised. Don't be uneasy," he returned to Dounia, "she was as much opposed to it as you, and I am glad that she is gone. The great point is that everything now is going to be different, is going to be broken in two," he cried, suddenly returning to his dejection. "Everything, everything, and am I prepared for it? Do I want it myself? They say it is necessary for me to suffer! What's the object of these senseless sufferings? shall I know any better what they are for, when I am crushed by hardships and idiocy, and weak as an old man after twenty years' penal servitude? And what shall I have to live for then? Why am I consenting to that life now? Oh, I knew I was contemptible when I stood looking at the Neva at daybreak to-day!"

At last they both went out. It was hard for Dounia, but she loved him. She walked away, but after going fifty paces she turned round to look at him again. He was still in sight. At the corner he too turned and for the last time their eyes met; but noticing that she was looking at him, he motioned her away with impatience and even vexation, and turned the corner abruptly.

"I am wicked, I see that," he thought to himself, feeling ashamed a moment later of his angry gesture to Dounia. "But why are they so fond of me if I don't deserve it? Oh, if only I were alone and no one loved me and I too had never loved anyone! /Nothing of all this would have happened./ But I wonder shall I in those fifteen or twenty years grow so meek that I shall humble myself before people and whimper at every word that I am a criminal? Yes, that's it, that's it, that's what they are sending me there for, that's what they want. Look at them running to and fro about the streets, every one of them a scoundrel and a criminal at heart and, worse still, an idiot. But try to get me off and they'd be wild with righteous indignation. Oh, how I hate them all!"

He fell to musing by what process it could come to pass, that he could be humbled before all of them, indiscriminately--humbled by conviction. And yet why not? It must be so. Would not twenty years of continual bondage crush him utterly? Water wears out a stone. And why, why should he live after that? Why should he go now when he knew that it would be so? It was the hundredth time perhaps that he had asked himself that question since the previous evening, but still he went.

Part VI: Chapter VIII

When he went into Sonia's room, it was already getting dark. All day Sonia had been waiting for him in terrible anxiety. Dounia had been waiting with her. She had come to her that morning, remembering Svidrigailov's words that Sonia knew. We will not describe the conversation and tears of the two girls, and how friendly they became. Dounia gained one comfort at least from that interview, that her brother would not be alone. He had gone to her, Sonia, first with his confession; he had gone to her for human fellowship when he needed it; she would go with him wherever fate might send him. Dounia did not ask, but she knew it was so. She looked at Sonia almost with reverence and at first almost embarrassed her by it. Sonia was almost on the point of tears. She felt herself, on the contrary, hardly worthy to look at Dounia. Dounia's gracious image when she had bowed to her so attentively and respectfully at their first meeting in Raskolnikov's room had remained in her mind as one of the fairest visions of her life.

Dounia at last became impatient and, leaving Sonia, went to her brother's room to await him there; she kept thinking that he would come there first. When she had gone, Sonia began to be tortured by the dread of his committing suicide, and Dounia too feared it. But they had spent the day trying to persuade each other that that could not be, and both were less anxious while they were together. As soon as they parted, each thought of nothing else. Sonia remembered how Svidrigailov had said to her the day before that Raskolnikov had two alternatives--Siberia or . . . Besides she knew his vanity, his pride and his lack of faith.

"Is it possible that he has nothing but cowardice and fear of death to make him live?" she thought at last in despair.

Meanwhile the sun was setting. Sonia was standing in dejection, looking intently out of the window, but from it she could see nothing but the unwhitewashed blank wall of the next house. At last when she began to feel sure of his death--he walked into the room.

She gave a cry of joy, but looking carefully into his face she turned pale.

"Yes," said Raskolnikov, smiling. "I have come for your cross, Sonia. It was you told me to go to the cross-roads; why is it you are frightened now it's come to that?"

Sonia gazed at him astonished. His tone seemed strange to her; a cold shiver ran over her, but in a moment she guessed that the tone and the words were a mask. He spoke to her looking away, as though to avoid meeting her eyes.

"You see, Sonia, I've decided that it will be better so. There is one fact. . . . But it's a long story and there's no need to discuss it. But do you know what angers me? It annoys me that all those stupid brutish faces will be gaping at me directly, pestering me with their stupid questions, which I shall have to answer--they'll point their fingers at me. . . . Tfoo! You know I am not going to Porfiry, I am sick of him. I'd rather go to my friend, the Explosive Lieutenant; how I shall surprise him, what a sensation I shall make! But I must be cooler; I've become too irritable of late. You know I was nearly shaking my fist at my sister just now, because she turned to take a last look at me. It's a brutal state to be in! Ah! what am I coming to! Well, where are the crosses?"

He seemed hardly to know what he was doing. He could not stay still or concentrate his attention on anything; his ideas seemed to gallop after one another, he talked incoherently, his hands trembled slightly.

Without a word Sonia took out of the drawer two crosses, one of cypress wood and one of copper. She made the sign of the cross over herself and over him, and put the wooden cross on his neck.

"It's the symbol of my taking up the cross," he laughed. "As though I had not suffered much till now! The wooden cross, that is the peasant one; the copper one, that is Lizaveta's--you will wear yourself, show me! So she had it on . . . at that moment? I remember two things like these too, a silver one and a little ikon. I threw them back on the old woman's neck. Those would be appropriate now, really, those are what I ought to put on now. . . . But I am talking nonsense and forgetting what matters; I'm somehow forgetful. . . . You see I have come to warn you, Sonia, so that you might know . . . that's all-- that's all I came for. But I thought I had more to say. You wanted me to go yourself. Well, now I am going to prison and you'll have your wish. Well, what are you crying for? You too? Don't. Leave off! Oh, how I hate it all!"

But his feeling was stirred; his heart ached, as he looked at her. "Why is she grieving too?" he thought to himself. "What am I to her? Why does she weep? Why is she looking after me, like my mother or Dounia? She'll be my nurse."

"Cross yourself, say at least one prayer," Sonia begged in a timid broken voice.

"Oh certainly, as much as you like! And sincerely, Sonia, sincerely. . . ."

But he wanted to say something quite different.

He crossed himself several times. Sonia took up her shawl and put it over her head. It was the green /drap de dames/ shawl of which Marmeladov had spoken, "the family shawl." Raskolnikov thought of that looking at it, but he did not ask. He began to feel himself that he was certainly forgetting things and was disgustingly agitated. He was frightened at this. He was suddenly struck too by the thought that Sonia meant to go with him.

"What are you doing? Where are you going? Stay here, stay! I'll go alone," he cried in cowardly vexation, and almost resentful, he moved towards the door. "What's the use of going in procession?" he muttered going out.

Sonia remained standing in the middle of the room. He had not even said good-bye to her; he had forgotten her. A poignant and rebellious doubt surged in his heart.

"Was it right, was it right, all this?" he thought again as he went down the stairs. "Couldn't he stop and retract it all . . . and not go?"

But still he went. He felt suddenly once for all that he mustn't ask himself questions. As he turned into the street he remembered that he had not said good-bye to Sonia, that he had left her in the middle of the room in her green shawl, not daring to stir after he had shouted at her, and he stopped short for a moment. At the same instant, another thought dawned upon him, as though it had been lying in wait to strike him then.

"Why, with what object did I go to her just now? I told her--on business; on what business? I had no sort of business! To tell her I was /going/; but where was the need? Do I love her? No, no, I drove her away just now like a dog. Did I want her crosses? Oh, how low I've sunk! No, I wanted her tears, I wanted to see her terror, to see how her heart ached! I had to have something to cling to, something to delay me, some friendly face to see! And I dared to believe in myself, to dream of what I would do! I am a beggarly contemptible wretch, contemptible!"

He walked along the canal bank, and he had not much further to go. But on reaching the bridge he stopped and turning out of his way along it went to the Hay Market.

He looked eagerly to right and left, gazed intently at every object and could not fix his attention on anything; everything slipped away. "In another week, another month I shall be driven in a prison van over this bridge, how shall I look at the canal then? I should like to remember this!" slipped into his mind. "Look at this sign! How shall I read those letters then? It's written here 'Campany,' that's a thing to remember, that letter /a/, and to look at it again in a month--how shall I look at it then? What shall I be feeling and thinking then?

. . . How trivial it all must be, what I am fretting about now! Of course it must all be interesting . . . in its way . . . (Ha-ha-ha! What am I thinking about?) I am becoming a baby, I am showing off to myself; why am I ashamed? Foo! how people shove! that fat man--a German he must be--who pushed against me, does he know whom he pushed? There's a peasant woman with a baby, begging. It's curious that she thinks me happier than she is. I might give her something, for the incongruity of it. Here's a five copeck piece left in my pocket, where did I get it? Here, here . . . take it, my good woman!"

"God bless you," the beggar chanted in a lachrymose voice.

He went into the Hay Market. It was distasteful, very distasteful to be in a crowd, but he walked just where he saw most people. He would have given anything in the world to be alone; but he knew himself that he would not have remained alone for a moment. There was a man drunk and disorderly in the crowd; he kept trying to dance and falling down. There was a ring round him. Raskolnikov squeezed his way through the crowd, stared for some minutes at the drunken man and suddenly gave a short jerky laugh. A minute later he had forgotten him and did not see him, though he still stared. He moved away at last, not remembering where he was; but when he got into the middle of the square an emotion suddenly came over him, overwhelming him body and mind.

He suddenly recalled Sonia's words, "Go to the cross-roads, bow down to the people, kiss the earth, for you have sinned against it too, and say aloud to the whole world, 'I am a murderer.'" He trembled, remembering that. And the hopeless misery and anxiety of all that time, especially of the last hours, had weighed so heavily upon him that he positively clutched at the chance of this new unmixed, complete sensation. It came over him like a fit; it was like a single spark kindled in his soul and spreading fire through him. Everything in him softened at once and the tears started into his eyes. He fell to the earth on the spot. . . .

He knelt down in the middle of the square, bowed down to the earth, and kissed that filthy earth with bliss and rapture. He got up and bowed down a second time.

"He's boozed," a youth near him observed.

There was a roar of laughter.

"He's going to Jerusalem, brothers, and saying good-bye to his children and his country. He's bowing down to all the world and kissing the great city of St. Petersburg and its pavement," added a workman who was a little drunk.

"Quite a young man, too!" observed a third.

"And a gentleman," someone observed soberly.

"There's no knowing who's a gentleman and who isn't nowadays."

These exclamations and remarks checked Raskolnikov, and the words, "I am a murderer," which were perhaps on the point of dropping from his lips, died away. He bore these remarks quietly, however, and, without looking round, he turned down a street leading to the police office. He had a glimpse of something on the way which did not surprise him; he had felt that it must be so. The second time he bowed down in the Hay Market he saw, standing fifty paces from him on the left, Sonia. She was hiding from him behind one of the wooden shanties in the market-place. She had followed him then on his painful way! Raskolnikov at that moment felt and knew once for all that Sonia was with him for ever and would follow him to the ends of the earth, wherever fate might take him. It wrung his heart . . . but he was just reaching the fatal place.

He went into the yard fairly resolutely. He had to mount to the third storey. "I shall be some time going up," he thought. He felt as though the fateful moment was still far off, as though he had plenty of time left for consideration.

Again the same rubbish, the same eggshells lying about on the spiral stairs, again the open doors of the flats, again the same kitchens and the same fumes and stench coming from them. Raskolnikov had not been here since that day. His legs were numb and gave way under him, but still they moved forward. He stopped for a moment to take breath, to collect himself, so as to enter /like a man/. "But why? what for?" he wondered, reflecting. "If I must drink the cup what difference does it make? The more revolting the better." He imagined for an instant the figure of the "explosive lieutenant," Ilya Petrovitch. Was he actually going to him? Couldn't he go to someone else? To Nikodim Fomitch? Couldn't he turn back and go straight to Nikodim Fomitch's lodgings? At least then it would be done privately. . . . No, no! To the "explosive lieutenant"! If he must drink it, drink it off at once.

Turning cold and hardly conscious, he opened the door of the office. There were very few people in it this time--only a house porter and a peasant. The doorkeeper did not even peep out from behind his screen. Raskolnikov walked into the next room. "Perhaps I still need not speak," passed through his mind. Some sort of clerk not wearing a uniform was settling himself at a bureau to write. In a corner another clerk was seating himself. Zametov was not there, nor, of course, Nikodim Fomitch.

"No one in?" Raskolnikov asked, addressing the person at the bureau.

"Whom do you want?"

"A-ah! Not a sound was heard, not a sight was seen, but I scent the Russian . . . how does it go on in the fairy tale . . . I've forgotten! 'At your service!'" a familiar voice cried suddenly.

Raskolnikov shuddered. The Explosive Lieutenant stood before him. He had just come in from the third room. "It is the hand of fate," thought Raskolnikov. "Why is he here?"

"You've come to see us? What about?" cried Ilya Petrovitch. He was obviously in an exceedingly good humour and perhaps a trifle exhilarated. "If it's on business you are rather early.[*] It's only a chance that I am here . . . however I'll do what I can. I must admit, I . . . what is it, what is it? Excuse me. . . ."

[*] Dostoevsky appears to have forgotten that it is after sunset, and that the last time Raskolnikov visited the police office at two in the afternoon he was reproached for coming too late.--TRANSLATOR.

"Raskolnikov."

"Of course, Raskolnikov. You didn't imagine I'd forgotten? Don't think I am like that . . . Rodion Ro--Ro--Rodionovitch, that's it, isn't it?"

"Rodion Romanovitch."

"Yes, yes, of course, Rodion Romanovitch! I was just getting at it. I made many inquiries about you. I assure you I've been genuinely grieved since that . . . since I behaved like that . . . it was explained to me afterwards that you were a literary man . . . and a learned one too . . . and so to say the first steps . . . Mercy on us! What literary or scientific man does not begin by some originality of conduct! My wife and I have the greatest respect for literature, in my wife it's a genuine passion! Literature and art! If only a man is a gentleman, all the rest can be gained by talents, learning, good sense, genius. As for a hat--well, what does a hat matter? I can buy a hat as easily as I can a bun; but what's under the hat, what the hat covers, I can't buy that! I was even meaning to come and apologise to you, but thought maybe you'd . . . But I am forgetting to ask you, is there anything you want really? I hear your family have come?"

"Yes, my mother and sister."

"I've even had the honour and happiness of meeting your sister--a highly cultivated and charming person. I confess I was sorry I got so hot with you. There it is! But as for my looking suspiciously at your fainting fit--that affair has been cleared up splendidly! Bigotry and fanaticism! I understand your indignation. Perhaps you are changing your lodging on account of your family's arriving?"

"No, I only looked in . . . I came to ask . . . I thought that I should find Zametov here."

"Oh, yes! Of course, you've made friends, I heard. Well, no, Zametov is not here. Yes, we've lost Zametov. He's not been here since yesterday . . . he quarrelled with everyone on leaving . . . in the rudest way. He is a feather-headed youngster, that's all; one might have expected something from him, but there, you know what they are, our brilliant young men. He wanted to go in for some examination, but it's only to talk and boast about it, it will go no further than that. Of course it's a very different matter with you or Mr. Razumihin there, your friend. Your career is an intellectual one and you won't be deterred by failure. For you, one may say, all the attractions of life /nihil est/--you are an ascetic, a monk, a hermit! . . . A book, a pen behind your ear, a learned research--that's where your spirit soars! I am the same way myself. . . . Have you read Livingstone's Travels?"

"No."

"Oh, I have. There are a great many Nihilists about nowadays, you know, and indeed it is not to be wondered at. What sort of days are they? I ask you. But we thought . . . you are not a Nihilist of course? Answer me openly, openly!"

"N-no . . ."

"Believe me, you can speak openly to me as you would to yourself! Official duty is one thing but . . . you are thinking I meant to say

/friendship/ is quite another? No, you're wrong! It's not friendship, but the feeling of a man and a citizen, the feeling of humanity and of love for the Almighty. I may be an official, but I am always bound to feel myself a man and a citizen. . . . You were asking about Zametov. Zametov will make a scandal in the French style in a house of bad reputation, over a glass of champagne . . . that's all your Zametov is good for! While I'm perhaps, so to speak, burning with devotion and lofty feelings, and besides I have rank, consequence, a post! I am married and have children, I fulfil the duties of a man and a citizen, but who is he, may I ask? I appeal to you as a man ennobled by education . . . Then these midwives, too, have become extraordinarily numerous."

Raskolnikov raised his eyebrows inquiringly. The words of Ilya Petrovitch, who had obviously been dining, were for the most part a stream of empty sounds for him. But some of them he understood. He looked at him inquiringly, not knowing how it would end.

"I mean those crop-headed wenches," the talkative Ilya Petrovitch continued. "Midwives is my name for them. I think it a very satisfactory one, ha-ha! They go to the Academy, study anatomy. If I fall ill, am I to send for a young lady to treat me? What do you say? Ha-ha!" Ilya Petrovitch laughed, quite pleased with his own wit. "It's an immoderate zeal for education, but once you're educated, that's enough. Why abuse it? Why insult honourable people, as that scoundrel Zametov does? Why did he insult me, I ask you? Look at these suicides, too, how common they are, you can't fancy! People spend their last halfpenny and kill themselves, boys and girls and old people. Only this morning we heard about a gentleman who had just come to town. Nil Pavlitch, I say, what was the name of that gentleman who shot himself?"

"Svidrigailov," someone answered from the other room with drowsy listlessness.

Raskolnikov started.

"Svidrigailov! Svidrigailov has shot himself!" he cried.

"What, do you know Svidrigailov?"

"Yes . . . I knew him. . . . He hadn't been here long."

"Yes, that's so. He had lost his wife, was a man of reckless habits and all of a sudden shot himself, and in such a shocking way. . . . He left in his notebook a few words: that he dies in full possession of his faculties and that no one is to blame for his death. He had money, they say. How did you come to know him?"

"I . . . was acquainted . . . my sister was governess in his family."

"Bah-bah-bah! Then no doubt you can tell us something about him. You had no suspicion?"

"I saw him yesterday . . . he . . . was drinking wine; I knew nothing."

Raskolnikov felt as though something had fallen on him and was stifling him.

"You've turned pale again. It's so stuffy here . . ."

"Yes, I must go," muttered Raskolnikov. "Excuse my troubling you. . . ."

"Oh, not at all, as often as you like. It's a pleasure to see you and I am glad to say so."

Ilya Petrovitch held out his hand.

"I only wanted . . . I came to see Zametov."

"I understand, I understand, and it's a pleasure to see you."

"I . . . am very glad . . . good-bye," Raskolnikov smiled.

He went out; he reeled, he was overtaken with giddiness and did not know what he was doing. He began going down the stairs, supporting himself with his right hand against the wall. He fancied that a porter pushed past him on his way upstairs to the police office, that a dog in the lower storey kept up a shrill barking and that a woman flung a rolling-pin at it and shouted. He went down and out into the yard. There, not far from the entrance, stood Sonia, pale and horror- stricken. She looked wildly at him. He stood still before her. There was a look of poignant agony, of despair, in her face. She clasped her hands. His lips worked in an ugly, meaningless smile. He stood still a minute, grinned and went back to the police office.

Ilya Petrovitch had sat down and was rummaging among some papers. Before him stood the same peasant who had pushed by on the stairs.

"Hulloa! Back again! have you left something behind? What's the matter?"

Raskolnikov, with white lips and staring eyes, came slowly nearer. He walked right to the table, leaned his hand on it, tried to say something, but could not; only incoherent sounds were audible.

"You are feeling ill, a chair! Here, sit down! Some water!"

Raskolnikov dropped on to a chair, but he kept his eyes fixed on the face of Ilya Petrovitch, which expressed unpleasant surprise. Both looked at one another for a minute and waited. Water was brought.

"It was I . . ." began Raskolnikov.

"Drink some water."

Raskolnikov refused the water with his hand, and softly and brokenly, but distinctly said:

"/It was I killed the old pawnbroker woman and her sister Lizaveta with an axe and robbed them./"

Ilya Petrovitch opened his mouth. People ran up on all sides.

Raskolnikov repeated his statement.